Venus in Fur
[A] playful and literate rumination on the fine line between passion and perversity, pleasure and pain, life and art.
Venus in Fur
Directed by Roman Polanski (CARNAGE, THE PIANIST, CHINATOWN) from a script he co-wrote with David Ives, who used Leopold von Sacher-Masoch’s groundbreaking novella as inspiration for his Tony Award-winning Broadway play on which the film is based, VENUS IN FUR showcases acclaimed international stars Emmanuelle Seigner (IN THE HOUSE, LA VIE EN ROSE, THE DIVING BELL AND THE BUTTERFLY) and Mathieu Amalric (THE GRAND BUDAPEST HOTEL, A CHRISTMAS TALE, THE DIVING BELL AND THE BUTTERFLY) in a fierce battle of wits and wills.
Alone in a Paris theater after a long day of auditioning actresses for his new play, writer-director Thomas (Amalric) complains that no actress he’s seen has what it takes to play the lead female character: a woman who enters into an agreement with her male counterpart to dominate him as her slave. Thomas is about to leave the theater when actress Vanda (Seigner) bursts in, a whirlwind of erratic - and, it turns out, erotic - energy. At first she seems to embody everything Thomas has been lamenting. She is pushy, foul-mouthed, desperate and ill-prepared - or so it seems. When Thomas finally, reluctantly, agrees to let her try out for the part, he is stunned and captivated by her transformation. Not only is Vanda a perfect fit (even sharing the character's name), but she apparently has researched the role exhaustively, learned her lines by heart and even bought her own props. The likeness proves to be much more than skin-deep. As the extended "audition" builds momentum, Thomas moves from attraction to obsession until, with Vanda taking an ever more dominant role, the balance of power shifts completely.
VENUS IN FUR premiered In Competition at the 2013 Cannes Film Festival and will screen at the 2014 Tribeca and COL•COA film festivals. Polanski won the 2014 César Award for Best Director, and the film also received six nominations, including Best Film, Best Actress, Best Actor and Best Adapted Screenplay.
Alone in a Paris theater after a long day of auditioning actresses for his new play, writer-director Thomas (Amalric) complains that no actress he’s seen has what it takes to play the lead female character: a woman who enters into an agreement with her male counterpart to dominate him as her slave. Thomas is about to leave the theater when actress Vanda (Seigner) bursts in, a whirlwind of erratic - and, it turns out, erotic - energy. At first she seems to embody everything Thomas has been lamenting. She is pushy, foul-mouthed, desperate and ill-prepared - or so it seems. When Thomas finally, reluctantly, agrees to let her try out for the part, he is stunned and captivated by her transformation. Not only is Vanda a perfect fit (even sharing the character's name), but she apparently has researched the role exhaustively, learned her lines by heart and even bought her own props. The likeness proves to be much more than skin-deep. As the extended "audition" builds momentum, Thomas moves from attraction to obsession until, with Vanda taking an ever more dominant role, the balance of power shifts completely.
VENUS IN FUR premiered In Competition at the 2013 Cannes Film Festival and will screen at the 2014 Tribeca and COL•COA film festivals. Polanski won the 2014 César Award for Best Director, and the film also received six nominations, including Best Film, Best Actress, Best Actor and Best Adapted Screenplay.
Genre
Drama
Runtime
96
Language
French,
German
Director
Roman Polanski
Cast
Emmanuelle Seigner,
Mathieu Amalric
FEATURED REVIEW
Jonathan Romney, Screen International
Roman Polanski returns to the theme of sexual bad manners for the first time since 1992’s Bitter Moon, in the process giving a peach of a role to his wife Emmanuelle Seigner - arguably the most perversely tender gift a director has ever offered his wife on-screen. A brittle psychosexual comedy ...
Played at
Playhouse 7 7.11.14 - 7.17.14
NoHo 7 7.11.14 - 7.24.14
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