Town Center 5

 

Laemmle Theatres and the Anniversary Classic Series present this month’s screening in our popular Anniversary Classics Abroad program: Michelangelo Antonioni’s vibrant masterpiece RED DESERT, which won the Golden Lion at the Venice Film Festival in 1964 and collected rave reviews around the world on its release over the next several months. We will show the film at five of our theaters at 7 PM on Wednesday, July 31.Antonioni had earned critical acclaim for the three movies in his “alienation trilogy”—'L’Avventura,' 'La Notte,' and 'Eclipse' — made during the early 1960s. RED DESERT explored some of the same themes but introduced a new element to

Laemmle Theatres President Greg Laemmle and his wife Tish Laemmle are being honored by the good folks at Glendale Arts "in recognition of their unparalleled legacy of dedication to independent filmmakers and the art of storytelling on the screen." Glendale Arts is an award-winning 501(c)3 non-profit organization that generates opportunities throughout greater Los Angeles to showcase, promote, encourage, and engage with the arts. From their announcement:Glendale Arts proudly announces the organization’s highly-anticipated Summer Soiree “Under A Thousand Stars” to be held on Saturday, July 27, 2024 from 7:00-10:00 P.M. at ace/121 Gallery. Tickets

From Alissa Wilkinson's New York Times review of the superb new documentary we are opening next week, HOW TO COME ALIVE with Norman Mailer:Given the hagiographic bias of most celebrity documentaries, HOW TO COME ALIVE with Norman Mailer sails into choppy waters. The director Jeff Zimbalist had to figure out a way to sum up one of the 20th century’s most admired, and most notorious, cultural figures. Mailer’s legacy as a novelist, speaker, filmmaker and pop culture icon — the movie reminded me how often he’s mentioned in “Gilmore Girls” — is full of bad behavior and also brilliant work, and making a film about such a person seems nearly impossible

From film critic Tim Grierson's recent L.A. Times profile of Janet Planet star Julianne Nicholson:*"When she was 18, Julianne Nicholson came to New York City to model but quickly grew tired of that — she knew she wanted to act. “I was waitressing and just living my best life,” she says over Zoom, smiling, from A24’s Manhattan offices. “I was basically being a young person in New York without a care in the world. It was wildly different from Janet Planet." She’s referring to the wonderful new film set during summer 1991 in which she stars — a film that, like Nicholson, doesn’t put on airs but is capable of small miracles. Since its premiere at

I don't often step up and offer personal thoughts on new openings. After all, we are opening several films every week, and we love all our children equally. Also, those of you who have spotted me at the theatre (after ONLY IN THEATERS, I've sacrificed any anonymity I might have enjoyed) know that sometimes I'm catching up on films together with you at regular screenings. Not surprisingly, I prefer to see things in a theatre and don't like to watch things via screening links, even if offered in advance.But with THELMA, we have a film that I did get to see at an early festival showing, and I LOVED it so much that I can't help but share my enthusiasm

Actress Rachel Sennott (Shiva Baby, Bottoms) returns to Laemmle screens this Friday at the Monica Film Center, NoHo 7 and Town Center 5 with I Used to Be Funny. She plays an aspiring stand-up comedian and au pair struggling with PTSD as she decides whether or not to join the search for Brooke (Olga Petsa), a missing teenage girl she used to nanny.*Click here to watch the trailer.*"Rachel Sennott has the greatest face. It cannot lie, no matter what her characters are saying. That honesty makes her ideal for films with tricky tones... And it’s essential to I Used to Be Funny." - Johanna Schneller, Globe and Mail*"In her film debut, [writer-director

Laemmle Theatres and the Anniversary Classics Abroad Series present 65th anniversary screenings of Louis Malle’s 'The Lovers' ('Les Amants') starring Jeanne Moreau, on June 19 for one night only at 7:00 PM in West Los Angeles, Encino, Glendale, Claremont, and Santa Clarita. When first released in the United States in 1959, the film became an art house sensation with frank sexuality and nudity that inflamed the prudish American censors. Those censors, the Catholic Legion of Decency, and the repressive Hollywood Production Code wielded considerable influence at that time, preventing American films from exploring adult themes in a provocative manner

Over the weekend, writer-director Sean Baker (Tangerine, The Florida Project, Red Rocket) was awarded the Palme d'Or, the top prize, at this year's Cannes Film Festival for Anora, his comedy about a sex worker. New York Times film critic Manohla Dargis called the film "a giddily ribald picaresque." In his acceptance speech, Baker spoke eloquently about seeing movies in theaters. You can watch the whole thing online, but here's the key excerpt:*"This literally has been my singular goal as a filmmaker for the past 30 years. So I’m not really sure what I’m gonna do with the rest of my life, but I do know that I will continue to fight for cinema

This Friday we open the intense Italian drama Kidnapped: The Abduction of Edgardo Mortara at the Royal and Town Center, which is based on the true story of a Jewish family in 19th century Bologna whose young son was secretly baptized as a baby by his nurse. Years later, the cardinal orders the boy abducted so he can receive a Catholic education. The scandal received wide attention at the time and now gets a terrific film adaptation by Marco Bellocchio (The Wedding Director, The Traitor, Marx Can Wait) which, among other accolades, earned a Palme d'Or nomination at Cannes and a Best Foreign Film nomination at the César Awards.*"It is a full-tilt

Directed and co-written by four-time Academy Award® nominee Ethan Hawke, Wildcat invites the audience to weave in and out of celebrated Southern Gothic writer Flannery O’Connor's mind as she ponders the great questions of her writing: Can scandalous art still serve God? Does suffering precede all greatness? Can illness be a blessing? In 1950, Flannery (Maya Hawke) visits her mother Regina (Laura Linney) in Georgia when she is diagnosed with lupus at twenty-four years old. Struggling with the same disease that took her father’s life when she was a child and desperate to make her mark as a great writer, this crisis pitches her imagination into a

The new documentary Taking Venice, which we open next week at the Royal in West L.A. and the Town Center in Encino, uncovers the true story behind rumors that the U.S. government and a team of high-placed insiders rigged the 1964 Venice Biennale – the Olympics of art – so their chosen artist, Robert Rauschenberg, could win the Grand Prize. Director Amei Wallach wrote this about her film:"I grew up during the Cold War when the world seemed as dangerous as it does today. But it also seemed to be filled with possibility, with the actions of people who dreamed big and took big chances. This was especially true of artists, always looking to build

Laemmle Theatres and the Anniversary Classics Series present the next entry in our Anniversary Classics Abroad series, the biopic drama of the early years of Ernesto Che Guevara, The Motorcycle Diaries (2004). The Academy Award-winning film by director Walter Salles (Central Station) will play for one show only on Wednesday, May 15 at 7:00 pm at five Laemmle locations: Claremont, Encino, Glendale, Newhall, and West L.A. In addition to the Oscar for Best Song, “Al Otro Lado Del Rio,” the film was nominated for Best Adapted Screenplay by playwright Jose Rivera, based on Guevara's memoir. The film recounts the 1952 road trip by 23-year-old medical

We're thrilled to screen Shakespeare's leanest, meanest tragedy, Macbeth with Ralph Fiennes and Indira Varma, May 2 and 5 only, following its highly acclaimed U.K. tour. It was filmed live at Dock X in London especially for cinemas. Tony and BAFTA Award-winner Fiennes (Antony & Cleopatra, Schindler's List, Coriolanus) and Olivier Award-winner Indira Varma (Present Laughter, Game of Thrones, Luther) star in this brand-new ‘full-voltage visceral’ (★★★★ Daily Telegraph) production of the Scottish play. Designed for a custom-built space, this gripping and breathtaking play about the couple utterly corrupted by their relentless lust for power is

We’re proud to soon screen two films by Canadian filmmaker Patricia Rozema: her just-restored 1995 romance When Night is Falling (May 7 at the Royal and May 8 at the NoHo) and her most recent film, Mouthpiece (May 13 & 14 at the Town Center, Monica Film Center, Glendale, and Claremont). Rozema will participate in Q&As after the Tuesday, May 7 and 8 screenings of When Night is Falling at the Royal and NoHo. Tracy E. Gilchrist, VP, Executive Producer of Entertainment for equalpride, will moderate the Royal Q&A.Long considered to be a pivotal entry in the LGTBQ+ canon, When Night is Falling is a sexy, daring and visually resplendent story about the

We know that over the past four years, you may have become accustomed to hearing bad news from us. So we are pleased to share some good news. Qualified good news. But still, a sign of improvement.It appears that older audiences are returning in larger numbers. That's welcome news for all of us at Laemmle Theatres, and at art houses across the U.S. Before the pandemic, the hand wringing was about the “graying” of the arthouse audience. But since reopening, as arthouses have had success with younger-skewing films, the concern instead has been about how to reconnect with the older audiences that were once weekly guests at our theaters. Now, we love

We have the next several months of our Culture Vulture series set, and as always the films are eclectic and stimulating, featuring documentaries about artists and writers, gallery films, a National Theater Live stage production, and more.April 22 & 23 ~ On the Adamant ~ Winner of the Golden Bear at the Berlin Film Fest, this affecting, enlightening documentary from nonfiction master Nicolas Philibert (To Be and to Have) invites viewers to come aboard the Adamant and witness the transformational power of art and community. The Adamant is a one-of-a-kind place: a floating refuge on the Seine in the heart of Paris that offers day programs for adults

Uberto Pasolini's new film Nowhere Special stars the gifted English actor James Norton as a single father who dedicates the last few months of his life to finding a new family for his four-year-old son. It's based on a true story. We open Nowhere Special April 26 at the Royal and May 3 at our Claremont, Glendale and Encino theaters. Pasolini wrote the following about how he, his cast and crew were able to create this brilliant, understated movie:"I wanted to make this film as soon as I read about the case of a terminally ill father attempting to find a new family for his toddler son before his death. Although the situation the main characters find

The next film in our Anniversary Classics Abroad series is Claire Denis's intense 1988 debut feature, Chocolat, screening April 24 at our Claremont, Encino, Glendale, Newhall and West L.A. theaters. Denis drew on her own childhood experiences growing up in colonial French Africa for her visually beautiful, multilayered, languorously absorbing movie. She explores many of the themes that would recur throughout her work. Returning to the town where she grew up in Cameroon after many years living in France, a white woman (Mireille Perrier) reflects on her relationship with Protée (Isaach De Bankolé), a Black servant with whom she formed a friendship

Resistance: They Fought Back Q&A’s at the Town Center will be hosted on May 11th at 7:10 PM by Co-Director & Executive Producer Paula S. Apsell, Co-Director Kirk Wolfinger, along with Roberta Grossman, Co-Executive Director of Jewish Story Partners, and actress and writer Romy Rosemont. On May 12th at 1:10 PM, Co-Director & Executive Producer Paula S. Apsell and Co-Producer Yael Beals will host a Q&A and on May 13th at 7:10 PM, Co-Director & Executive Producer Paula S. Apsell and Dr. Michael Berenbaum, Professor of Jewish & Holocaust Studies at American Jewish University, will host a Q&A.

French star Daniel Auteuil (Caché, Jean de Florette, The Well-Digger's Daughter, many more) stars in Farewell, Mr. Haffmann as a talented Jewish jeweler in Nazi-occupied Paris who arranges for his family to flee the city and offers one of his employees (Gilles Lellouche) the opportunity to take over his store until the conflict subsides. When his own escape is thwarted, he has to rely on his employee to protect him. We open the film this Friday at the Royal and Town Center.M. Auteuil recently sat for an interview about Farewell, Mr. Haffmann:WHO IS JOSEPH HAFFMANN AT THE BEGINNING OF THE FILM?He is a man whose sole purpose is to save the lives of