NO LONGER PLAYING
Endel learns to love the children and looks after them; most are orphans as a result of the Russian occupation. Fencing becomes a form of self-expression for the children and Endel becomes a role model. The children want to participate in a national fencing tournament in Leningrad, and Endel must make a choice: risk everything to take the children to Leningrad or put his safety first and disappoint them.
“Suffused with gorgeous cinematography, this sharp-sweet drama is a pleasure to watch.” – Kate Muir, The Times of London
“Well-acted, smoothly crafted.” – Justin Chang, Variety
Throughout the film, Härö vividly captures a sense of the late Stalinist-era paranoia, as well as the drabness of Soviet life in general. It is also engaging on a human level. These are reserved people, but when they make a connection, it is meaningful.