Mountains May Depart
Few filmmakers working today look as deeply at the changing world as Mr. Jia does, or make the human stakes as vivid.
Mountains May Depart
China, 1999. In Fenyang, childhood friends Liangzi, a coal miner, and Zhang, the owner of a gas station, are both in love with Tao, the town beauty. Tao eventually marries the wealthier Zhang and they have a son he names Dollar.
It’s 2014. Tao is divorced and her son emigrates to Australia with his business magnate father.
Australia, 2025. Nineteen-year-old Dollar no longer speaks Chinese and can barely communicate with his now bankrupt father. All that he remembers of his mother is her name….
Director’s Statement
It’s because I’ve experienced my share of ups and downs in life that I wanted to make Mountains May Depart. This film spans the past, the present and the future, going from 1999 to 2014 and then to 2025.
China’s economic development began to skyrocket in the 1990s. Living in this surreal economic environment has inevitably changed the ways that people deal with their emotions. The impulse behind this film is to examine the effect of putting financial considerations ahead of emotional relationships. If we imagine a point ten years into our future, how will we look back on what’s happening today? And how will we understand “freedom”?
Buddhist thought sees four stages in the flow of life: birth, old age, sickness, and death. I think the ultimate point of this film is to say: Whatever times we live through, none of us can avoid experiencing those stages, those difficult moments. Mountains may depart, relationships may endure. -Jia Zhangke, April 2015
2015 Cannes Film Festival
2015 Toronto International Film Festival
2015 New York Film Festival
It’s 2014. Tao is divorced and her son emigrates to Australia with his business magnate father.
Australia, 2025. Nineteen-year-old Dollar no longer speaks Chinese and can barely communicate with his now bankrupt father. All that he remembers of his mother is her name….
Director’s Statement
It’s because I’ve experienced my share of ups and downs in life that I wanted to make Mountains May Depart. This film spans the past, the present and the future, going from 1999 to 2014 and then to 2025.
China’s economic development began to skyrocket in the 1990s. Living in this surreal economic environment has inevitably changed the ways that people deal with their emotions. The impulse behind this film is to examine the effect of putting financial considerations ahead of emotional relationships. If we imagine a point ten years into our future, how will we look back on what’s happening today? And how will we understand “freedom”?
Buddhist thought sees four stages in the flow of life: birth, old age, sickness, and death. I think the ultimate point of this film is to say: Whatever times we live through, none of us can avoid experiencing those stages, those difficult moments. Mountains may depart, relationships may endure. -Jia Zhangke, April 2015
2015 Cannes Film Festival
2015 Toronto International Film Festival
2015 New York Film Festival
Genre
Drama
Runtime
131
Language
Cantonese,
Mandarin,
English
Director
Jia Zhangke
Cast
Sylvia Chang,
Zhang Yi,
Zhao Tao
Awards:
Nominee, Palme d’Or, Cannes Film Festival
FEATURED REVIEW
Scott Foundas, Variety
The cinema’s consummate chronicler of a China evolving so rapidly that its own citizens can scarcely keep apace, Jia Zhangke strikes a particularly melancholic chord in “Mountains May Depart,” a polymorphous snapshot of 21st-century capitalism and its discontents that also finds the filmmaker, like ...
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