Under African Skies
A pure-bliss celebration of Paul Simon's landmark album...coupled with an interesting if not unbiased look at the controversy surrounding its release.
Under African Skies
Under African Skies travels with Paul Simon back to South Africa 25 years after his first trip there. Simon revisits the making of his classic record Graceland, surveying from the vantage of history the turbulence and controversy surrounding the album's genesis. His artistic decision to collaborate with African musicians created a new world musical fusion, combining American and African musical idioms while igniting an intense political crossfire, with Paul Simon accused of breaking the UN cultural boycott of South Africa designed to end the Apartheid regime.
The universal appeal of the music of Graceland proved more powerful and enduring than the political hotbed attending its creation. In 1986, the album sold 14 million copies worldwide, and received universal praise from critics around the globe. Simon and the members of Ladysmith Black Mambazo performed on Saturday Night Live and appeared on the cover of Rolling Stone.
By January of 1987, "You Can Call Me Al" was everywhere and Graceland won Album of the Year at the Grammy Awards in 1987. Then, in an unprecedented carryover, the album garnered the Grammy for Song of the Year with its title track in 1988. The album generated three hit singles and kept Paul Simon and the Graceland tour on the road for five years.
In the film, Simon provides a fresh and revelatory perspective on the album while gathering the record's original musicians for a transcendental Graceland reunion concert. Under African Skies features interviews with key anti-apartheid activists of the time and such musical legends as Quincy Jones, Harry Belafonte, Paul McCartney, David Byrne and Peter Gabriel.
Graceland continues to provide rewards to its listeners and remains a pivotal listening experience for writers, artists and fans. "Paul Simon's Graceland played a greatly significant role in removing the standoffish dread Western culture harbored toward South Africa during its internal struggle against apartheid, humanizing both a country's soul-searching hunger for liberation and its simultaneous outpouring of cathartic creative expression." – Timothy White, Billboard
"Prior to Graceland, the music of South Africa was largely unknown outside the country, except to a small minority of world music fans…" – Peter Gabriel
"I don't like the idea that people who aren't adolescents make records. Adolescents make the best records. Except for Paul Simon. Except for Graceland. He's hit a new plateau there, but he's writing to his own age group. Graceland is something new.” - Joe Strummer interviewed by Richard Cromelin for the Los Angeles Times on January 31, 1988
The universal appeal of the music of Graceland proved more powerful and enduring than the political hotbed attending its creation. In 1986, the album sold 14 million copies worldwide, and received universal praise from critics around the globe. Simon and the members of Ladysmith Black Mambazo performed on Saturday Night Live and appeared on the cover of Rolling Stone.
By January of 1987, "You Can Call Me Al" was everywhere and Graceland won Album of the Year at the Grammy Awards in 1987. Then, in an unprecedented carryover, the album garnered the Grammy for Song of the Year with its title track in 1988. The album generated three hit singles and kept Paul Simon and the Graceland tour on the road for five years.
In the film, Simon provides a fresh and revelatory perspective on the album while gathering the record's original musicians for a transcendental Graceland reunion concert. Under African Skies features interviews with key anti-apartheid activists of the time and such musical legends as Quincy Jones, Harry Belafonte, Paul McCartney, David Byrne and Peter Gabriel.
Graceland continues to provide rewards to its listeners and remains a pivotal listening experience for writers, artists and fans. "Paul Simon's Graceland played a greatly significant role in removing the standoffish dread Western culture harbored toward South Africa during its internal struggle against apartheid, humanizing both a country's soul-searching hunger for liberation and its simultaneous outpouring of cathartic creative expression." – Timothy White, Billboard
"Prior to Graceland, the music of South Africa was largely unknown outside the country, except to a small minority of world music fans…" – Peter Gabriel
"I don't like the idea that people who aren't adolescents make records. Adolescents make the best records. Except for Paul Simon. Except for Graceland. He's hit a new plateau there, but he's writing to his own age group. Graceland is something new.” - Joe Strummer interviewed by Richard Cromelin for the Los Angeles Times on January 31, 1988
Genre
Documentary,
History
Web Site
Runtime
108
Language
English
Director
Joe Berlinger
FEATURED REVIEW
Noel Murray, AV Club
One of the best and most unexpected gifts my dad ever bought me was a cassette copy of Paul Simon’s Graceland for my 16th birthday, in 1986. I hadn’t asked for it, but my father heard something on the radio about the album and thought I’d like it, and as it turned out, he was right. It fact, that ...
Played at
Monica Film Center 5.11.12 - 5.17.12
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