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Inspired by a spoken-word showcase featuring 25 diverse high school performers, Carlos López Estrada (Blindspotting, Raya and the Last Dragon) proposed a collaboration to develop the performers’ work into a loose, interconnected narrative, encouraging the non-actors to express themselves and their relationship to their city.
With its Slacker-inspired structure, fanciful form, and exuberant magical realism, Summertime is a free verse poem—of the kids, by the kids, for the kids. The young poets radiate vitality, honesty, and profound emotion. By the time they wind up together in a tricked-out mega-limo overlooking the city, we believe in what their crazy, creative togetherness represents: hope. As the driver says, “Y’all got a pocket full of dreams, so don’t let me down.”
After making his directorial debut two years ago with the film “Blindspotting,” director Carlos López Estrada returns to Sundance in the “Next” category, a category usually saved for filmmakers who have not yet received the kind of attention Estrada already has. And yet it’s a fitting classification ...