Pruitt-Igoe Myth
Deeply impressive and disturbing exposé of what went terribly wrong with one hopeful post-War American housing experience.
The Pruitt-Igoe Myth
The Pruitt-Igoe Myth tells the story of the transformation of the American city in the decades after World War II, through the lens of the infamous Pruitt-Igoe housing development and the St. Louis residents who called it home.
It began as a housing marvel. Built in 1956, Pruitt-Igoe was heralded as the model public housing project of the future, "the poor man's penthouse." Two decades later, it ended in rubble - its razing an iconic event that the architectural theorist Charles Jencks famously called the death of modernism. The footage and images of its implosion have helped to perpetuate a myth of failure, a failure that has been used to critique Modernist
architecture, attack public assistance programs, and stigmatize public housing residents. The Pruitt-Igoe Myth seeks to set the historical record straight. To examine the interests involved in Pruitt-Igoe's creation. To re-evaluate the rumors and the stigma. To implode the myth.
The Pruitt-Igoe Myth has played at dozens of festivals around the world including Los Angeles, True/False, Full Frame, Big Sky and SilverDocs. It won Best Documentary Feature at the Oxford Film Festival and at Kansas City FilmFest and was recently awarded the International Documentary Association's ABCNews Videosource Award for best use of archival footage. It is slated to receive the American Historical Association's prestigious John E. O'Connor Film Award for outstanding interpretation of history.
“Given the ongoing shredding of the social safety net in America, the film's greatest service might be to remind us that programs and services for the poor have always had hostile enemies.” (Ernest Hardy, Village Voice)
It began as a housing marvel. Built in 1956, Pruitt-Igoe was heralded as the model public housing project of the future, "the poor man's penthouse." Two decades later, it ended in rubble - its razing an iconic event that the architectural theorist Charles Jencks famously called the death of modernism. The footage and images of its implosion have helped to perpetuate a myth of failure, a failure that has been used to critique Modernist
architecture, attack public assistance programs, and stigmatize public housing residents. The Pruitt-Igoe Myth seeks to set the historical record straight. To examine the interests involved in Pruitt-Igoe's creation. To re-evaluate the rumors and the stigma. To implode the myth.
The Pruitt-Igoe Myth has played at dozens of festivals around the world including Los Angeles, True/False, Full Frame, Big Sky and SilverDocs. It won Best Documentary Feature at the Oxford Film Festival and at Kansas City FilmFest and was recently awarded the International Documentary Association's ABCNews Videosource Award for best use of archival footage. It is slated to receive the American Historical Association's prestigious John E. O'Connor Film Award for outstanding interpretation of history.
“Given the ongoing shredding of the social safety net in America, the film's greatest service might be to remind us that programs and services for the poor have always had hostile enemies.” (Ernest Hardy, Village Voice)
Genre
Documentary,
History
Web Site
Runtime
83
Language
English
Director
Chad Freidrichs
FEATURED REVIEW
Rachel Saltz, New York Times
“The Pruitt-Igoe Myth” tells the story of a public housing project in St. Louis that opened in the mid-1950s, part of the postwar dream of replacing slum apartments with modern, affordable high-rises. By the 1970s Pruitt-Igoe was in such disrepair that it was torn down, the demolition was televised ...
Played at
Lumiere Music Hall 4.27.12 - 5.03.12
NoHo 7 4.28.12 - 4.29.12
Claremont 5 4.28.12 - 4.29.12
Playhouse 7 4.28.12 - 4.29.12
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