Racing through the streets of Paris making food deliveries on his bicycle, Guinean immigrant Souleymane (Abou Sangare) is struggling to stay afloat. In two days, he has to report for an asylum application interview, where he must plead his case to an immigration officer (Nina Meurisse) who will determine his future in France. As he rides, he repeats his story. But Souleymane is not ready. Drawing inspiration from Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days and evoking the humanist films of the Dardennes, Boris Lojkine’s urgent, propulsive third feature never leaves Souleymane’s side in a deeply affecting account of the daily trials and
The latest episode of Inside the Arthouse features a luminary of the American indie, art house, and repertory exhibition scene, Bruce Goldstein. From the ITA website:At Inside the Arthouse, we love discovering bold new voices and emerging filmmakers. But there's something uniquely rewarding about revisiting a classic—whether it's an old favorite or a legendary film you've always meant to watch. And seeing these films on the big screen in a real movie theater is the way they were meant to be experienced.Repertory cinema in the U.S. has faced its share of challenges, from the rise of home video and streaming to rising urban real estate costs. Many
Laemmle Theatres and the Anniversary Classics Series present a 40th Anniversary screening of the delightful comedy 'Desperately Seeking Susan,' which teamed Rosanna Arquette and pop star Madonna in her first acting role. This was a feminist movie ahead of its time in many ways, with women holding most of the important positions behind the camera as well as on screen. The original screenplay was written by Leora Barish, and the film was directed by Susan Seidelman as her first mainstream movie after her low-budget hit 'Smithereens' had established her as a filmmaker to watch. The movie was produced by Midge Sanford and Sarah Pillsbury, two
This week we're opening the new drama Don't Let's Go to the Dogs Tonight at the Royal. We'll expand the engagements to all but one of our our other venues around L.A. County the following week. Laemmle Theatres president Greg Laemmle saw the film and loved it so much he was able to secure an interview with the filmmaker/co-star, Embeth Davidtz on his and Raphael Sbarge's podcast Inside the Arthouse. He wrote the following to introduce the episode:"As part of producing Inside the Arthouse, we see a lot of movies. And while many are compelling and well-made, naturally some of them stand out. Of all the films we've seen so far this year, Don't Let's
Based on Alexandra Fuller’s memoir of the same name, Don't Let's Go to the Dogs Tonight captures the childhood of eight-year-old Bobo on her family farm in Zimbabwe (formerly Rhodesia) at the end of the Zimbabwean War for Independence in 1980. Growing up in the midst of this long running war, Bobo internalizes both sides of the struggle. Conflicted by her love for people on opposing sides, she tries to make sense of her life in a magical way. Through her eight-year-old gaze we witness Rhodesia’s final days, the family’s unbreakable bond with Africa, and the deep scars that war leaves on survivors.Don't Let's Go to the Dogs Tonight writer-director
As we approach 2025's midway point, we are about to open one of the year's finest films, the locally produced Familiar Touch. A sampling of critics' encomiums is below. Writer-director Sarah Friedland and star Kathleen Chalfant will participate in Royal Q&A's after the 7:30 P.M. shows on June 27 & 28; at the Town Center following the 12:50 P.M. show on June 29; and at the Glendale after the 4:30 P.M. show on June 29. Lydia Storie, Director of Culture Change at Caring Across Generations, will moderate the June 27 screening. You can also catch Friedland and Chalfant's interview on the latest episode of Inside the Arthouse.*“Familiar Touch is a film
This Friday we are proud to open TATAMI, the acclaimed collaboration between Iranian and Israeli filmmakers. Some plaudits from top American film critics:"A superb example of pop cultural translation that freshens up the clichés of the sports corruption thriller and gives the actors and filmmakers a chance to flex their considerable skills." ~ Matt Zoller Seitz, RogerEbert.com"The mounting tensions of these moving parts — and steely performances by Mandi and Amir — make for an engrossing thriller fueled by female rage." ~ Beatrice Loayza, New York Times"Despite its urgent political engagement, TATAMI never forgets to be a gripping watch." ~
THE SEVEN YEAR ITCH 70th Anniversary – Marilyn Monroe classic comedy screens at Laemmle’s historic Royal Theatre on June 25.Laemmle Theatres and the Anniversary Classics Series present the 70th anniversary of THE SEVEN YEAR ITCH (1955), which features one of the signature pop culture images of the 20th century and of its star, Marilyn Monroe (standing astride a subway grate while her skirt billows up to her shoulders). Billy Wilder produced, directed, and, with George Axelrod, cowrote the film version of Axelrod’s smash Broadway comedy about marital infidelity. It provided a prime vehicle for Monroe. The film screens one night only, Wednesday
A huge hit last weekend in New York, we're excited to open the comedy Bad Shabbos this Friday at the Royal and Town Center with expansion runs planned around L.A. County in the subsequent weeks. The film follows David and his fiancée, Meg, who are about to have their parents meet for the first time over a Shabbat dinner. Things get far more complicated because of an accidental death (or murder?). With Meg's Catholic parents due any moment, the family dinner soon spirals into a hilarious disaster.The following Bad Shabbos screenings will feature in-person introductions or Q&A's: Thursday, June 5 at the Royal w/director Daniel Robbins, producer Adam
Join us for The Last Twins Q&A’s at Laemmle Royal on Thursday, June 19th at 7:30 P.M. with filmmakers Perri Pelt & Matthew O’Neill, and Judith Richter, who is a participant in the film; Jonathan Jacoby will moderate; and at Laemmle Town Center on June 20th at 5:20 P.M. with the filmmakers and Judith Richter; and June 21st at 7:30 P.M. with Judith Richter and Dr. Nancy Segal moderating the discussion.
Laemmle Theatres and the Anniversary Classics Series present a 25th anniversary screening of 'Croupier,' the sleeper hit that helped to save the specialized movie business during a dry period at the beginning of the 21st century. Mike Hodges, the director of the British crime thriller 'Get Carter' with Michael Caine, had his most acclaimed film since then when he directed 'Croupier.'Clive Owen, who had mainly appeared in British television dramas before this, rose to full-fledged movie stardom as a result of this movie. He plays an aspiring writer who takes a job at a casino where he juggles a few romantic relationships and also has to contend
Winner of the Camera d’Or at the 1979 Cannes Film Festival, the sui generis Northern Lights marks one of the most moving and committed works of political cinema from the late 1970s. Dramatizing the formation of the populist Nonpartisan League in North Dakota in the mid-1910s, Northern Lights captures the plight of immigrant Dakotan farmers as they toil and struggle against the combined forces of industry and finance. Amid this paroxysm of class tension, two young lovers find themselves swept up in the tide. Shot on location (on grain-rich black-and-white 16mm) in the dead of winter and featuring an astonishing cast of non-professional actors, this
There are movies. There is cinema. And then there is auteur cinema. All are best experienced theatrically, but the last category, in particular, necessitates the big screen, the darkness, the audience of strangers. Next week, we are thrilled to once again unveil Ran, the 27th film by legendary Japanese director Akira Kurosawa (Rashomon, Seven Samurai, Hidden Fortress).In its epic scale, stylistic grandeur and tragic contemplation of human destiny, Ran (literally, “chaos” or “turmoil”) brings together the great themes and gorgeous images of the director’s life work. A brilliantly conceived meditation on Shakespeare’s King Lear crossed with Japan’s
If you are in need of some escapism that piques rather than insults your intelligence, we strongly recommend the new French rom-com Jane Austen Wrecked My Life. We open it May 23 at the Royal and May 30 at all but one of our other theaters. (Its writer-director, Laura Piani, is interviewed on the latest episode of Inside the Arthouse.)Variety's Chief Film Critic Peter Debruge perfectly captures the film's charms in his review, whose subhead reads "Laura Piani’s splendid debut balances reality with the effervescent charm of vintage swooners."Debruge's review is worth quoting at length:"A diet of romantic literature is a recipe for disappointment in
Starring and written and directed by Iair Said, Most People Die on Sundays is about grief, but it's also funny, outrageous, surprising, and utterly unique, with a deadpan tone that recalls Jim Jarmusch movies. We follow the protagonist David as he returns home to Argentina for his uncle's funeral. Said has a sui generis quality of classic screen comics like Buster Keaton and Jacques Tati, and the rest of the cast plays off him perfectly. A sensation when it premiered in the Acid Section at Cannes, Most People Die on Sundays is a comic gem that we're thrilled to open this Friday at the Royal and Town Center. (Check out Said's interview on the
Next week we're opening the latest film from veteran Danish director Bille August, best known for Pelle the Conqueror, The Best Intentions, The House of the Spirits and dozens more."He spoke to Variety about The Kiss, his enduring interest in the complexity of human beings, book-to-screen adaptations, and his belief in the big screen experience."Loosely based on Stefan Zweig’s novel Beware of Pity and transposed from an Austrian to a Danish setting, The Kiss is a romantic drama set in 1913. The helmer has reunited with A Fortunate Man’s lead Espen Smed, cast as cavalry officer trainee Anton. Introduced to Baron von Løvenskjold’s daughter Edith, a
Based on Françoise Sagan's controversial 1954 novel, published when she was only 18 years old, the new adaptation of Bonjour Tristesse follows teenage Cécile (Lily McInerny). Her relaxing summer with her father (Claes Bang) in the south of France is upended by the arrival of the enigmatic Anne (Chloë Sevigny), her late mother's friend.First-time filmmaker Durga Chew-Bose is a writer, editor, and filmmaker living in Montreal. Prior to making Bonjour Tristesse, her film writing and interviews have focused on a range of international directors, from Abbas Kiarostami to Mia Hansen-Løve, Mike Leigh, Olivier Assayas, and many more. She is a devoted
Laemmle Theatres and the Anniversary Classics Series present a special screening of one of the best loved movies of the 20th century, Jerry Zucker’s smash hit supernatural fantasy, 'Ghost.' When the movie opened in the summer of 1990, it quickly captivated audiences and eventually became the highest grossing movie of the year, earning $505 million on a budget of just $23 million. When the movie hit home video in 1991, it also became the highest grossing film in the rental market for that year. The movie was nominated for five Oscars in 1990, including Best Picture, and it won awards for Bruce Joel Rubin’s original screenplay and Whoopi Goldberg’s
Since 2022 Laemmle Theatres has been the proud host of veteran film critic Stephen Farber's popular REEL TALK WITH STEPHEN FARBER screening series at the LAEMMLE ROYAL! See a variety of outstanding films from the U.S. and around the world, including many top awards contenders. Then meet the filmmakers for provocative and revealing discussions led by Stephen.Recent guests and titles have included Josh Margolin, writer-director of THELMA; Keith Kupferer, Katherine Mallen Kupferer, Tara Mallen, Kelly O’Sullivan & Alex Thompson, stars and filmmakers of GHOSTLIGHT; Eric Bana and Robert Connolly, star and writer-director of FORCE OF NATURE: THE DRY 2
Next week we'll begin a Claude Lelouch retrospective at the Royal with a week-long engagement of his 1966 double Oscar and Palme d'Or winner A Man and a Woman, newly restored by Rialto Pictures. April 26 through April 30 we'll also screen his films Les Miserables, And Now My Love, Rendezvous, Cat and Mouse, La Bonne Année, and Bolero (Les Uns et les Autres)."A tender, visually stirring film of rejuvenating love between a widow and a widower: Trintignant and Aimée share a candid romance while balancing the demands of career and parenthood. It’s a touching, realistic look at a burgeoning adult romance, with each participant encumbered by a past
Racing through the streets of Paris making food deliveries on his bicycle, Guinean immigrant Souleymane (Abou Sangare) is struggling to stay afloat. In two days, he has to report for an asylum application interview, where he must plead his case to an immigration officer (Nina Meurisse) who will determine his future in France. As he rides, he repeats his story. But Souleymane is not ready. Drawing inspiration from Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days and evoking the humanist films of the Dardennes, Boris Lojkine’s urgent, propulsive third feature never leaves Souleymane’s side in a deeply affecting account of the daily trials and
Laemmle Theatres and the Anniversary Classics Series present a 40th Anniversary screening of the delightful comedy 'Desperately Seeking Susan,' which teamed Rosanna Arquette and pop star Madonna in her first acting role. This was a feminist movie ahead of its time in many ways, with women holding most of the important positions behind the camera as well as on screen. The original screenplay was written by Leora Barish, and the film was directed by Susan Seidelman as her first mainstream movie after her low-budget hit 'Smithereens' had established her as a filmmaker to watch. The movie was produced by Midge Sanford and Sarah Pillsbury, two
This week we're opening the new drama Don't Let's Go to the Dogs Tonight at the Royal. We'll expand the engagements to all but one of our our other venues around L.A. County the following week. Laemmle Theatres president Greg Laemmle saw the film and loved it so much he was able to secure an interview with the filmmaker/co-star, Embeth Davidtz on his and Raphael Sbarge's podcast Inside the Arthouse. He wrote the following to introduce the episode:"As part of producing Inside the Arthouse, we see a lot of movies. And while many are compelling and well-made, naturally some of them stand out. Of all the films we've seen so far this year, Don't Let's
Based on Alexandra Fuller’s memoir of the same name, Don't Let's Go to the Dogs Tonight captures the childhood of eight-year-old Bobo on her family farm in Zimbabwe (formerly Rhodesia) at the end of the Zimbabwean War for Independence in 1980. Growing up in the midst of this long running war, Bobo internalizes both sides of the struggle. Conflicted by her love for people on opposing sides, she tries to make sense of her life in a magical way. Through her eight-year-old gaze we witness Rhodesia’s final days, the family’s unbreakable bond with Africa, and the deep scars that war leaves on survivors.Don't Let's Go to the Dogs Tonight writer-director
As we approach 2025's midway point, we are about to open one of the year's finest films, the locally produced Familiar Touch. A sampling of critics' encomiums is below. Writer-director Sarah Friedland and star Kathleen Chalfant will participate in Royal Q&A's after the 7:30 P.M. shows on June 27 & 28; at the Town Center following the 12:50 P.M. show on June 29; and at the Glendale after the 4:30 P.M. show on June 29. Lydia Storie, Director of Culture Change at Caring Across Generations, will moderate the June 27 screening. You can also catch Friedland and Chalfant's interview on the latest episode of Inside the Arthouse.*“Familiar Touch is a film
This Friday we are proud to open TATAMI, the acclaimed collaboration between Iranian and Israeli filmmakers. Some plaudits from top American film critics:"A superb example of pop cultural translation that freshens up the clichés of the sports corruption thriller and gives the actors and filmmakers a chance to flex their considerable skills." ~ Matt Zoller Seitz, RogerEbert.com"The mounting tensions of these moving parts — and steely performances by Mandi and Amir — make for an engrossing thriller fueled by female rage." ~ Beatrice Loayza, New York Times"Despite its urgent political engagement, TATAMI never forgets to be a gripping watch." ~
THE SEVEN YEAR ITCH 70th Anniversary – Marilyn Monroe classic comedy screens at Laemmle’s historic Royal Theatre on June 25.Laemmle Theatres and the Anniversary Classics Series present the 70th anniversary of THE SEVEN YEAR ITCH (1955), which features one of the signature pop culture images of the 20th century and of its star, Marilyn Monroe (standing astride a subway grate while her skirt billows up to her shoulders). Billy Wilder produced, directed, and, with George Axelrod, cowrote the film version of Axelrod’s smash Broadway comedy about marital infidelity. It provided a prime vehicle for Monroe. The film screens one night only, Wednesday
A huge hit last weekend in New York, we're excited to open the comedy Bad Shabbos this Friday at the Royal and Town Center with expansion runs planned around L.A. County in the subsequent weeks. The film follows David and his fiancée, Meg, who are about to have their parents meet for the first time over a Shabbat dinner. Things get far more complicated because of an accidental death (or murder?). With Meg's Catholic parents due any moment, the family dinner soon spirals into a hilarious disaster.The following Bad Shabbos screenings will feature in-person introductions or Q&A's: Thursday, June 5 at the Royal w/director Daniel Robbins, producer Adam
Join us for The Last Twins Q&A’s at Laemmle Royal on Thursday, June 19th at 7:30 P.M. with filmmakers Perri Pelt & Matthew O’Neill, and Judith Richter, who is a participant in the film; Jonathan Jacoby will moderate; and at Laemmle Town Center on June 20th at 5:20 P.M. with the filmmakers and Judith Richter; and June 21st at 7:30 P.M. with Judith Richter and Dr. Nancy Segal moderating the discussion.
Laemmle Theatres and the Anniversary Classics Series present a 25th anniversary screening of 'Croupier,' the sleeper hit that helped to save the specialized movie business during a dry period at the beginning of the 21st century. Mike Hodges, the director of the British crime thriller 'Get Carter' with Michael Caine, had his most acclaimed film since then when he directed 'Croupier.'Clive Owen, who had mainly appeared in British television dramas before this, rose to full-fledged movie stardom as a result of this movie. He plays an aspiring writer who takes a job at a casino where he juggles a few romantic relationships and also has to contend
Winner of the Camera d’Or at the 1979 Cannes Film Festival, the sui generis Northern Lights marks one of the most moving and committed works of political cinema from the late 1970s. Dramatizing the formation of the populist Nonpartisan League in North Dakota in the mid-1910s, Northern Lights captures the plight of immigrant Dakotan farmers as they toil and struggle against the combined forces of industry and finance. Amid this paroxysm of class tension, two young lovers find themselves swept up in the tide. Shot on location (on grain-rich black-and-white 16mm) in the dead of winter and featuring an astonishing cast of non-professional actors, this
There are movies. There is cinema. And then there is auteur cinema. All are best experienced theatrically, but the last category, in particular, necessitates the big screen, the darkness, the audience of strangers. Next week, we are thrilled to once again unveil Ran, the 27th film by legendary Japanese director Akira Kurosawa (Rashomon, Seven Samurai, Hidden Fortress).In its epic scale, stylistic grandeur and tragic contemplation of human destiny, Ran (literally, “chaos” or “turmoil”) brings together the great themes and gorgeous images of the director’s life work. A brilliantly conceived meditation on Shakespeare’s King Lear crossed with Japan’s
If you are in need of some escapism that piques rather than insults your intelligence, we strongly recommend the new French rom-com Jane Austen Wrecked My Life. We open it May 23 at the Royal and May 30 at all but one of our other theaters. (Its writer-director, Laura Piani, is interviewed on the latest episode of Inside the Arthouse.)Variety's Chief Film Critic Peter Debruge perfectly captures the film's charms in his review, whose subhead reads "Laura Piani’s splendid debut balances reality with the effervescent charm of vintage swooners."Debruge's review is worth quoting at length:"A diet of romantic literature is a recipe for disappointment in
Starring and written and directed by Iair Said, Most People Die on Sundays is about grief, but it's also funny, outrageous, surprising, and utterly unique, with a deadpan tone that recalls Jim Jarmusch movies. We follow the protagonist David as he returns home to Argentina for his uncle's funeral. Said has a sui generis quality of classic screen comics like Buster Keaton and Jacques Tati, and the rest of the cast plays off him perfectly. A sensation when it premiered in the Acid Section at Cannes, Most People Die on Sundays is a comic gem that we're thrilled to open this Friday at the Royal and Town Center. (Check out Said's interview on the
Next week we're opening the latest film from veteran Danish director Bille August, best known for Pelle the Conqueror, The Best Intentions, The House of the Spirits and dozens more."He spoke to Variety about The Kiss, his enduring interest in the complexity of human beings, book-to-screen adaptations, and his belief in the big screen experience."Loosely based on Stefan Zweig’s novel Beware of Pity and transposed from an Austrian to a Danish setting, The Kiss is a romantic drama set in 1913. The helmer has reunited with A Fortunate Man’s lead Espen Smed, cast as cavalry officer trainee Anton. Introduced to Baron von Løvenskjold’s daughter Edith, a
Based on Françoise Sagan's controversial 1954 novel, published when she was only 18 years old, the new adaptation of Bonjour Tristesse follows teenage Cécile (Lily McInerny). Her relaxing summer with her father (Claes Bang) in the south of France is upended by the arrival of the enigmatic Anne (Chloë Sevigny), her late mother's friend.First-time filmmaker Durga Chew-Bose is a writer, editor, and filmmaker living in Montreal. Prior to making Bonjour Tristesse, her film writing and interviews have focused on a range of international directors, from Abbas Kiarostami to Mia Hansen-Løve, Mike Leigh, Olivier Assayas, and many more. She is a devoted
Laemmle Theatres and the Anniversary Classics Series present a special screening of one of the best loved movies of the 20th century, Jerry Zucker’s smash hit supernatural fantasy, 'Ghost.' When the movie opened in the summer of 1990, it quickly captivated audiences and eventually became the highest grossing movie of the year, earning $505 million on a budget of just $23 million. When the movie hit home video in 1991, it also became the highest grossing film in the rental market for that year. The movie was nominated for five Oscars in 1990, including Best Picture, and it won awards for Bruce Joel Rubin’s original screenplay and Whoopi Goldberg’s
Since 2022 Laemmle Theatres has been the proud host of veteran film critic Stephen Farber's popular REEL TALK WITH STEPHEN FARBER screening series at the LAEMMLE ROYAL! See a variety of outstanding films from the U.S. and around the world, including many top awards contenders. Then meet the filmmakers for provocative and revealing discussions led by Stephen.Recent guests and titles have included Josh Margolin, writer-director of THELMA; Keith Kupferer, Katherine Mallen Kupferer, Tara Mallen, Kelly O’Sullivan & Alex Thompson, stars and filmmakers of GHOSTLIGHT; Eric Bana and Robert Connolly, star and writer-director of FORCE OF NATURE: THE DRY 2
Next week we'll begin a Claude Lelouch retrospective at the Royal with a week-long engagement of his 1966 double Oscar and Palme d'Or winner A Man and a Woman, newly restored by Rialto Pictures. April 26 through April 30 we'll also screen his films Les Miserables, And Now My Love, Rendezvous, Cat and Mouse, La Bonne Année, and Bolero (Les Uns et les Autres)."A tender, visually stirring film of rejuvenating love between a widow and a widower: Trintignant and Aimée share a candid romance while balancing the demands of career and parenthood. It’s a touching, realistic look at a burgeoning adult romance, with each participant encumbered by a past