11523 Santa Monica Blvd. | MAP
West L.A., CA 90025



Laemmle Theatres and the Anniversary Classics Series present the 60th anniversary of A HARD DAY’S NIGHT (1964). Starring the Beatles at the height of Beatlemania, we'll screen this rock 'n' roll movie classic on Tuesday, June 25, 7:30 PM at the historic Royal theatre in West Los Angeles. Directed by Richard Lester from an Oscar-nominated original screenplay by Alun Owen, the milestone film was also aptly nominated for musical scoring. (George Martin lost to Andre Previn for My Fair Lady.)After the Beatles exploded onto the global stage by early 1964, the British pop group (John Lennon, Paul McCartney, George Harrison, Ringo Starr) conquered the

A rare debut feature that premiered in competition at the Cannes Film Festival, and Senegal's official submission to the 96th Academy Awards, Banel & Adama is a lush and lyrical West African dreamscape, a tragic romance that soars to the heights of longing and descends deep into the realm of myth as it sets its protagonists' perfect everlasting love on a collision course with their community’s traditions. We're proud to open it this Friday at the Royal. Click here to see the trailer."Unequivocally beautiful. Sy paints breathtaking scenes with her camera, demonstrating a gorgeous way of seeing the world." - Lovia Gyarke, Hollywood Reporter“A

Filmmaker Agnieszka Holland will be in town later this month for her latest film, the powerful Green Border. She'll participate in Q&As after the evening screenings at the Royal on Friday and Saturday, June 28 and 29 and for good measure join us for a Q&A after the June 29 screening of her 1993 family film The Secret Garden, which we're screening as part of our Anniversary Classics series. One moviegoer might want to ask her how she manages such range, because the movies are quite different.Thirty years after her Oscar-nominated film Europa Europa, Holland’s poignant and essential Green Border is set in the treacherous and swampy forests that make

Laemmle Theatres and the Anniversary Classics Abroad Series present 65th anniversary screenings of Louis Malle’s 'The Lovers' ('Les Amants') starring Jeanne Moreau, on June 19 for one night only at 7:00 PM in West Los Angeles, Encino, Glendale, Claremont, and Santa Clarita. When first released in the United States in 1959, the film became an art house sensation with frank sexuality and nudity that inflamed the prudish American censors. Those censors, the Catholic Legion of Decency, and the repressive Hollywood Production Code wielded considerable influence at that time, preventing American films from exploring adult themes in a provocative manner

Over the weekend, writer-director Sean Baker (Tangerine, The Florida Project, Red Rocket) was awarded the Palme d'Or, the top prize, at this year's Cannes Film Festival for Anora, his comedy about a sex worker. New York Times film critic Manohla Dargis called the film "a giddily ribald picaresque." In his acceptance speech, Baker spoke eloquently about seeing movies in theaters. You can watch the whole thing online, but here's the key excerpt:*"This literally has been my singular goal as a filmmaker for the past 30 years. So I’m not really sure what I’m gonna do with the rest of my life, but I do know that I will continue to fight for cinema

This Friday we open the intense Italian drama Kidnapped: The Abduction of Edgardo Mortara at the Royal and Town Center, which is based on the true story of a Jewish family in 19th century Bologna whose young son was secretly baptized as a baby by his nurse. Years later, the cardinal orders the boy abducted so he can receive a Catholic education. The scandal received wide attention at the time and now gets a terrific film adaptation by Marco Bellocchio (The Wedding Director, The Traitor, Marx Can Wait) which, among other accolades, earned a Palme d'Or nomination at Cannes and a Best Foreign Film nomination at the César Awards.*"It is a full-tilt

Laemmle Theatres and the Anniversary Classics Series present the third in our popular series of James Bond revival screenings. Following the successful showings of the very first Bond picture, 'Dr. No,' and the popular third film, 'Goldfinger,' we present the second movie in the long-running series, 'From Russia with Love.' This screening takes place almost 60 years to the day when the movie enjoyed its wide U.S. release in May 1964.'Dr. No' had been a big hit when it opened a year earlier, and producers Albert R. Broccoli and Harry Saltzman decided to bring Bond back. They chose Ian Fleming’s novel 'From Russia with Love' in part because

The new documentary Taking Venice, which we open next week at the Royal in West L.A. and the Town Center in Encino, uncovers the true story behind rumors that the U.S. government and a team of high-placed insiders rigged the 1964 Venice Biennale – the Olympics of art – so their chosen artist, Robert Rauschenberg, could win the Grand Prize. Director Amei Wallach wrote this about her film:"I grew up during the Cold War when the world seemed as dangerous as it does today. But it also seemed to be filled with possibility, with the actions of people who dreamed big and took big chances. This was especially true of artists, always looking to build

Hope/Good News Alert! Next week we have three screenings of the new documentary Finding the Money. It follows former chief economist to the Senate Budget Committee, Stephanie Kelton, on a journey through Modern Money Theory or “MMT,” to unveil a deeper story about money, injecting new hope and empowering democracies around the world to tackle the biggest challenges of the 21st century: from climate change to inequality.We're hosting Q&As 5/14 in Claremont with director Maren Poitras; 5/15 in NoHo with Ms. Kelton, Cory Doctorow, and Ms. Poitras; and 5/16 at the Royal with Ms. Kelton, Harry Shearer, and Ms. Poitras.Check out Ms. Kelton's recent

Laemmle Theatres and the Anniversary Classics Series present the next entry in our Anniversary Classics Abroad series, the biopic drama of the early years of Ernesto Che Guevara, The Motorcycle Diaries (2004). The Academy Award-winning film by director Walter Salles (Central Station) will play for one show only on Wednesday, May 15 at 7:00 pm at five Laemmle locations: Claremont, Encino, Glendale, Newhall, and West L.A. In addition to the Oscar for Best Song, “Al Otro Lado Del Rio,” the film was nominated for Best Adapted Screenplay by playwright Jose Rivera, based on Guevara's memoir. The film recounts the 1952 road trip by 23-year-old medical

We’re proud to soon screen two films by Canadian filmmaker Patricia Rozema: her just-restored 1995 romance When Night is Falling (May 7 at the Royal and May 8 at the NoHo) and her most recent film, Mouthpiece (May 13 & 14 at the Town Center, Monica Film Center, Glendale, and Claremont). Rozema will participate in Q&As after the Tuesday, May 7 and 8 screenings of When Night is Falling at the Royal and NoHo. Tracy E. Gilchrist, VP, Executive Producer of Entertainment for equalpride, will moderate the Royal Q&A.Long considered to be a pivotal entry in the LGTBQ+ canon, When Night is Falling is a sexy, daring and visually resplendent story about the

We know that over the past four years, you may have become accustomed to hearing bad news from us. So we are pleased to share some good news. Qualified good news. But still, a sign of improvement.It appears that older audiences are returning in larger numbers. That's welcome news for all of us at Laemmle Theatres, and at art houses across the U.S. Before the pandemic, the hand wringing was about the “graying” of the arthouse audience. But since reopening, as arthouses have had success with younger-skewing films, the concern instead has been about how to reconnect with the older audiences that were once weekly guests at our theaters. Now, we love

Family man and gangster Abel Davos (Lino Ventura), holed up in Italy for over a decade, needs some startup money in order to return to France, where he's been sentenced to death. With Milan's Duomo looming in the background (shot on location), he and a crony execute a split-second payroll heist — in broad daylight — then begin a lightning-fast getaway via underground passages, cars, motorcycle, bus, speedboat, and ambulance. Only the beginning of the mounting mayhem.Bridging argot-rich '50s masterworks like Dassin's Rififi and Becker's Touchez Pas Au Grisbi with Melville's pared-down thrillers of the '60s, Classe Tous Risque (referring to a kind

Robert Yeoman (Uncropped) and Scott Peterson (moderator) are confirmed for the 4pm Q&A on Saturday 4/27 at Laemmle Royal.Celebrated cinematographer Robert Yeoman is known for his collaboration with director Wes Anderson, having worked on all of Anderson’s films beginning with Bottle Rocket (1996). Yeoman was nominated for an Academy Award for his work on Anderson’s The Grand Budapest Hotel. Other notable credits include Gus Van Sant’s Drugstore Cowboy (for which he won the Independent Spirit Award for Cinematography), Noah Baumbach’s The Squid and the Whale, and Paul Feig's Bridesmaids and Ghostbusters. Yeoman currently teaches at USC in the

Photographic Justice: The Corky Lee Story LAEMMLE PANELSROYAL:4/25 Thursday 7:30Q&A with Jennifer Takaki / DirectorGeorge Hirose / Executive Producer Linda Lew Woo / ProducerModerated by: Jeff Yang / Author and Friend of Corky LeeGLENDALE:4/26 Friday 4:30 Informal Q&A with Jennifer Takaki / DirectorGeorge Hirose / Executive Producer Linda Lew Woo / Producer4/27 Saturday 4:30Q&A with Jennifer Takaki / DirectorGeorge Hirose / Executive Producer Linda Lew Woo / ProducerModerated by: Chris M. Kwok / Community Organizer4/28 Sunday 4:30Informal Q&A with Jennifer Takaki / DirectorGeorge Hirose / Executive Producer Linda Lew Woo / Producer

Uberto Pasolini's new film Nowhere Special stars the gifted English actor James Norton as a single father who dedicates the last few months of his life to finding a new family for his four-year-old son. It's based on a true story. We open Nowhere Special April 26 at the Royal and May 3 at our Claremont, Glendale and Encino theaters. Pasolini wrote the following about how he, his cast and crew were able to create this brilliant, understated movie:"I wanted to make this film as soon as I read about the case of a terminally ill father attempting to find a new family for his toddler son before his death. Although the situation the main characters find

The 28th feature directed by renowned British filmmaker Ken Loach follows a once-vibrant mining town’s response to the arrival of a group of Syrian refugees. TJ, the amiable proprietor of the titular pub – the last meeting point left in town – struggles to keep his more narrow-minded local clientele amid prejudice as he befriends these new residents, in particular a Syrian photographer, Yara. As he has over his six-decade career, Loach gives compassionate voice to the oppressed – both the Syrian migrants as well as the out-of-work locals -- in this, the concluding chapter of his Northeast England trilogy (following I, Daniel Blake and Sorry We

The next film in our Anniversary Classics Abroad series is Claire Denis's intense 1988 debut feature, Chocolat, screening April 24 at our Claremont, Encino, Glendale, Newhall and West L.A. theaters. Denis drew on her own childhood experiences growing up in colonial French Africa for her visually beautiful, multilayered, languorously absorbing movie. She explores many of the themes that would recur throughout her work. Returning to the town where she grew up in Cameroon after many years living in France, a white woman (Mireille Perrier) reflects on her relationship with Protée (Isaach De Bankolé), a Black servant with whom she formed a friendship

French star Daniel Auteuil (Caché, Jean de Florette, The Well-Digger's Daughter, many more) stars in Farewell, Mr. Haffmann as a talented Jewish jeweler in Nazi-occupied Paris who arranges for his family to flee the city and offers one of his employees (Gilles Lellouche) the opportunity to take over his store until the conflict subsides. When his own escape is thwarted, he has to rely on his employee to protect him. We open the film this Friday at the Royal and Town Center.M. Auteuil recently sat for an interview about Farewell, Mr. Haffmann:WHO IS JOSEPH HAFFMANN AT THE BEGINNING OF THE FILM?He is a man whose sole purpose is to save the lives of

"The closest thing to a perfect movie that I have ever seen." – John Woo"Noir Nirvana." – Eddie Muller"Jean-Pierre Melville's coolest, sleekest, and most influential salute to the French underworld." – Michael Sragow, The New Yorker"The beauty of Le Samouraï isn't its plot, but the assured handling of tone, mood, and style, which tips its hat to the noir of the past while standing out as a unique heady cocktail of its own." – Angelica Jade Bastien, Vulture"[Jean-Pierre Melville] made the coolest gangster films ever." – Quentin TarantinoIn a career-defining performance, Alain Delon plays Jef Costello, a contract killer with samurai instincts. After