THE SEVEN YEAR ITCH 70th Anniversary – Marilyn Monroe classic comedy screens at Laemmle’s historic Royal Theatre on June 25.Laemmle Theatres and the Anniversary Classics Series present the 70th anniversary of THE SEVEN YEAR ITCH (1955), which features one of the signature pop culture images of the 20th century and of its star, Marilyn Monroe (standing astride a subway grate while her skirt billows up to her shoulders). Billy Wilder produced, directed, and, with George Axelrod, cowrote the film version of Axelrod’s smash Broadway comedy about marital infidelity. It provided a prime vehicle for Monroe. The film screens one night only, Wednesday
A huge hit last weekend in New York, we're excited to open the comedy Bad Shabbos this Friday at the Royal and Town Center with expansion runs planned around L.A. County in the subsequent weeks. The film follows David and his fiancée, Meg, who are about to have their parents meet for the first time over a Shabbat dinner. Things get far more complicated because of an accidental death (or murder?). With Meg's Catholic parents due any moment, the family dinner soon spirals into a hilarious disaster.The following Bad Shabbos screenings will feature in-person introductions or Q&A's: Thursday, June 5 at the Royal w/director Daniel Robbins, producer Adam
Join us for The Last Twins Q&A’s at Laemmle Royal on Thursday, June 19th at 7:30 P.M. with filmmakers Perri Pelt & Matthew O’Neill, and Judith Richter, who is a participant in the film; Jonathan Jacoby will moderate; and at Laemmle Town Center on June 20th at 5:20 P.M. with the filmmakers and Judith Richter; and June 21st at 7:30 P.M. with Judith Richter and Dr. Nancy Segal moderating the discussion.
Laemmle Theatres and the Anniversary Classics Series present a 25th anniversary screening of 'Croupier,' the sleeper hit that helped to save the specialized movie business during a dry period at the beginning of the 21st century. Mike Hodges, the director of the British crime thriller 'Get Carter' with Michael Caine, had his most acclaimed film since then when he directed 'Croupier.'Clive Owen, who had mainly appeared in British television dramas before this, rose to full-fledged movie stardom as a result of this movie. He plays an aspiring writer who takes a job at a casino where he juggles a few romantic relationships and also has to contend
Winner of the Camera d’Or at the 1979 Cannes Film Festival, the sui generis Northern Lights marks one of the most moving and committed works of political cinema from the late 1970s. Dramatizing the formation of the populist Nonpartisan League in North Dakota in the mid-1910s, Northern Lights captures the plight of immigrant Dakotan farmers as they toil and struggle against the combined forces of industry and finance. Amid this paroxysm of class tension, two young lovers find themselves swept up in the tide. Shot on location (on grain-rich black-and-white 16mm) in the dead of winter and featuring an astonishing cast of non-professional actors, this
There are movies. There is cinema. And then there is auteur cinema. All are best experienced theatrically, but the last category, in particular, necessitates the big screen, the darkness, the audience of strangers. Next week, we are thrilled to once again unveil Ran, the 27th film by legendary Japanese director Akira Kurosawa (Rashomon, Seven Samurai, Hidden Fortress).In its epic scale, stylistic grandeur and tragic contemplation of human destiny, Ran (literally, “chaos” or “turmoil”) brings together the great themes and gorgeous images of the director’s life work. A brilliantly conceived meditation on Shakespeare’s King Lear crossed with Japan’s
If you are in need of some escapism that piques rather than insults your intelligence, we strongly recommend the new French rom-com Jane Austen Wrecked My Life. We open it May 23 at the Royal and May 30 at all but one of our other theaters. (Its writer-director, Laura Piani, is interviewed on the latest episode of Inside the Arthouse.)Variety's Chief Film Critic Peter Debruge perfectly captures the film's charms in his review, whose subhead reads "Laura Piani’s splendid debut balances reality with the effervescent charm of vintage swooners."Debruge's review is worth quoting at length:"A diet of romantic literature is a recipe for disappointment in
Starring and written and directed by Iair Said, Most People Die on Sundays is about grief, but it's also funny, outrageous, surprising, and utterly unique, with a deadpan tone that recalls Jim Jarmusch movies. We follow the protagonist David as he returns home to Argentina for his uncle's funeral. Said has a sui generis quality of classic screen comics like Buster Keaton and Jacques Tati, and the rest of the cast plays off him perfectly. A sensation when it premiered in the Acid Section at Cannes, Most People Die on Sundays is a comic gem that we're thrilled to open this Friday at the Royal and Town Center. (Check out Said's interview on the
Next week we're opening the latest film from veteran Danish director Bille August, best known for Pelle the Conqueror, The Best Intentions, The House of the Spirits and dozens more."He spoke to Variety about The Kiss, his enduring interest in the complexity of human beings, book-to-screen adaptations, and his belief in the big screen experience."Loosely based on Stefan Zweig’s novel Beware of Pity and transposed from an Austrian to a Danish setting, The Kiss is a romantic drama set in 1913. The helmer has reunited with A Fortunate Man’s lead Espen Smed, cast as cavalry officer trainee Anton. Introduced to Baron von Løvenskjold’s daughter Edith, a
Based on Françoise Sagan's controversial 1954 novel, published when she was only 18 years old, the new adaptation of Bonjour Tristesse follows teenage Cécile (Lily McInerny). Her relaxing summer with her father (Claes Bang) in the south of France is upended by the arrival of the enigmatic Anne (Chloë Sevigny), her late mother's friend.First-time filmmaker Durga Chew-Bose is a writer, editor, and filmmaker living in Montreal. Prior to making Bonjour Tristesse, her film writing and interviews have focused on a range of international directors, from Abbas Kiarostami to Mia Hansen-Løve, Mike Leigh, Olivier Assayas, and many more. She is a devoted
Laemmle Theatres and the Anniversary Classics Series present a special screening of one of the best loved movies of the 20th century, Jerry Zucker’s smash hit supernatural fantasy, 'Ghost.' When the movie opened in the summer of 1990, it quickly captivated audiences and eventually became the highest grossing movie of the year, earning $505 million on a budget of just $23 million. When the movie hit home video in 1991, it also became the highest grossing film in the rental market for that year. The movie was nominated for five Oscars in 1990, including Best Picture, and it won awards for Bruce Joel Rubin’s original screenplay and Whoopi Goldberg’s
Since 2022 Laemmle Theatres has been the proud host of veteran film critic Stephen Farber's popular REEL TALK WITH STEPHEN FARBER screening series at the LAEMMLE ROYAL! See a variety of outstanding films from the U.S. and around the world, including many top awards contenders. Then meet the filmmakers for provocative and revealing discussions led by Stephen.Recent guests and titles have included Josh Margolin, writer-director of THELMA; Keith Kupferer, Katherine Mallen Kupferer, Tara Mallen, Kelly O’Sullivan & Alex Thompson, stars and filmmakers of GHOSTLIGHT; Eric Bana and Robert Connolly, star and writer-director of FORCE OF NATURE: THE DRY 2
Next week we'll begin a Claude Lelouch retrospective at the Royal with a week-long engagement of his 1966 double Oscar and Palme d'Or winner A Man and a Woman, newly restored by Rialto Pictures. April 26 through April 30 we'll also screen his films Les Miserables, And Now My Love, Rendezvous, Cat and Mouse, La Bonne Année, and Bolero (Les Uns et les Autres)."A tender, visually stirring film of rejuvenating love between a widow and a widower: Trintignant and Aimée share a candid romance while balancing the demands of career and parenthood. It’s a touching, realistic look at a burgeoning adult romance, with each participant encumbered by a past
Starring Oscar nominee Steve Coogan, The Penguin Lessons is a poignant dramedy inspired by a true story, set against the backdrop of Argentina’s political turmoil in 1976. Tom (Coogan), a disillusioned Englishman, arrives in Buenos Aires to teach at a prestigious boarding school, expecting an easy experience. But as the city spirals into crisis, and his students remain unteachable, Tom’s life takes an unexpected turn when he rescues an oil-slicked penguin from a nearby beach. The bird’s surprising loyalty and unique presence forces Tom to confront his own repressed past and awaken to the responsibilities of both personal and political change
Born in 1994, Louise Courvoisier grew up in the Jura region of France before studying cinema at the Cinéfabrique in Lyon. Her graduation short, Mano a Mano, won first prize at the Cinéfondation at Cannes in 2019. Vingt dieux (Holy Cow) is her first feature film, a sentimental cheese epic set in the village of her childhood. It follows 18-year-old Totone. After the tragic death of his father, he's thrust into the unexpected and very adult role of looking after his younger sister and their failing family farm. He assumes even more responsibility when he enters a cash competition for the best Comté cheese made in this western part of the French Alps
Alan Rudolph’s 'Choose Me' Special 4K Restoration Screening Tribute to Bob Laemmle with costars Keith Carradine, Lesley Ann Warren, and producer David Blocker in person April 3.Laemmle Theatres and the Anniversary Classics Series present a special 4K restoration screening of writer-director Alan Rudolph’s 1984 comedy-drama fable 'Choose Me' as a tribute to the late Bob Laemmle, owner of Laemmle Theatres, who died in January. The film screens Thursday, April 3 at the historic Royal Theatre in West Los Angeles at 7:00 P.M. Costars Keith Carradine and Lesley Ann Warren will appear in person for a Q&A, joined by producer David Blocker. Bob Laemmle was
From Bilge Eberi's recent New York Magazine piece about the new restoration of Jean-Luc Godard's A Woman is A Woman:“I don’t know whether it’s a comedy or a tragedy,” Jean-Luc Godard said about his film A Woman Is a Woman in 1961, not long before it opened. “At any rate, it’s a masterpiece.” The director, who at the time had released just one feature, was being characteristically cheeky. Later in that same interview, he admitted that the movie was an uneasy mix of influences. Shot in CinemaScope and color, it was meant to be a spectacle, “a set designer’s film,” that he had deliberately improvised and rushed. Though A Woman Is a Woman (now on the
It says a lot that the grandest French movie theaters are designed by famous architects. (Renzo Piano designed the Pathé Palace in Paris.) Over the weekend, the New York Times published a fascinating glimpse into cinema's profound place in French culture and how that strength has led to a renaissance of moviegoing. "France was one of the few countries that saw an increase in movie theater attendance last year over 2023, with more than 181 million attendees, an uptick of nearly a million. Brazil, Britain and Turkey also saw an increase."One reason is the French version of American exceptionalism: The French people believe their culture is superb
The 2025 Oscars are in the history books. It was a good night, with a funny, skilled host in Conan O'Brien and a fairly equitable distribution of statuettes for some terrific movies. It was also a good night for theatrical exhibition, better known as good, old-fashioned moviegoing. As he did during his speech accepting the Palme d'Or last year in Cannes, Anora filmmaker Sean Baker gave a passionate, trenchant speech in favor of seeing movies as filmmakers have always intended them to be seen, in theaters. After accepting the Oscar for Best Director from filmmaker (and movie theater owner) Quentin Tarantino, Baker said the following to almost 20
If you still haven't seen some of the films honored at the Academy Awards on Sunday, you can still see all of the following this week: Anora (winner for Best Picture, Director, Original Screenplay, Editing, and Actress), The Brutalist (Best Actor, Score, and Cinematography), Flow (Best Animated Feature), I'm Still Here (Best International Film), and No Other Land (Best Feature Documentary). All are fantastic and, as one social media user posted after listening to Sean Baker's speech extolling the virtues of seeing movies in movie theaters, "movies just hit different at the cinema."And if you've already seen these films, check out The Fishing Place
THE SEVEN YEAR ITCH 70th Anniversary – Marilyn Monroe classic comedy screens at Laemmle’s historic Royal Theatre on June 25.Laemmle Theatres and the Anniversary Classics Series present the 70th anniversary of THE SEVEN YEAR ITCH (1955), which features one of the signature pop culture images of the 20th century and of its star, Marilyn Monroe (standing astride a subway grate while her skirt billows up to her shoulders). Billy Wilder produced, directed, and, with George Axelrod, cowrote the film version of Axelrod’s smash Broadway comedy about marital infidelity. It provided a prime vehicle for Monroe. The film screens one night only, Wednesday
A huge hit last weekend in New York, we're excited to open the comedy Bad Shabbos this Friday at the Royal and Town Center with expansion runs planned around L.A. County in the subsequent weeks. The film follows David and his fiancée, Meg, who are about to have their parents meet for the first time over a Shabbat dinner. Things get far more complicated because of an accidental death (or murder?). With Meg's Catholic parents due any moment, the family dinner soon spirals into a hilarious disaster.The following Bad Shabbos screenings will feature in-person introductions or Q&A's: Thursday, June 5 at the Royal w/director Daniel Robbins, producer Adam
Join us for The Last Twins Q&A’s at Laemmle Royal on Thursday, June 19th at 7:30 P.M. with filmmakers Perri Pelt & Matthew O’Neill, and Judith Richter, who is a participant in the film; Jonathan Jacoby will moderate; and at Laemmle Town Center on June 20th at 5:20 P.M. with the filmmakers and Judith Richter; and June 21st at 7:30 P.M. with Judith Richter and Dr. Nancy Segal moderating the discussion.
Laemmle Theatres and the Anniversary Classics Series present a 25th anniversary screening of 'Croupier,' the sleeper hit that helped to save the specialized movie business during a dry period at the beginning of the 21st century. Mike Hodges, the director of the British crime thriller 'Get Carter' with Michael Caine, had his most acclaimed film since then when he directed 'Croupier.'Clive Owen, who had mainly appeared in British television dramas before this, rose to full-fledged movie stardom as a result of this movie. He plays an aspiring writer who takes a job at a casino where he juggles a few romantic relationships and also has to contend
Winner of the Camera d’Or at the 1979 Cannes Film Festival, the sui generis Northern Lights marks one of the most moving and committed works of political cinema from the late 1970s. Dramatizing the formation of the populist Nonpartisan League in North Dakota in the mid-1910s, Northern Lights captures the plight of immigrant Dakotan farmers as they toil and struggle against the combined forces of industry and finance. Amid this paroxysm of class tension, two young lovers find themselves swept up in the tide. Shot on location (on grain-rich black-and-white 16mm) in the dead of winter and featuring an astonishing cast of non-professional actors, this
There are movies. There is cinema. And then there is auteur cinema. All are best experienced theatrically, but the last category, in particular, necessitates the big screen, the darkness, the audience of strangers. Next week, we are thrilled to once again unveil Ran, the 27th film by legendary Japanese director Akira Kurosawa (Rashomon, Seven Samurai, Hidden Fortress).In its epic scale, stylistic grandeur and tragic contemplation of human destiny, Ran (literally, “chaos” or “turmoil”) brings together the great themes and gorgeous images of the director’s life work. A brilliantly conceived meditation on Shakespeare’s King Lear crossed with Japan’s
If you are in need of some escapism that piques rather than insults your intelligence, we strongly recommend the new French rom-com Jane Austen Wrecked My Life. We open it May 23 at the Royal and May 30 at all but one of our other theaters. (Its writer-director, Laura Piani, is interviewed on the latest episode of Inside the Arthouse.)Variety's Chief Film Critic Peter Debruge perfectly captures the film's charms in his review, whose subhead reads "Laura Piani’s splendid debut balances reality with the effervescent charm of vintage swooners."Debruge's review is worth quoting at length:"A diet of romantic literature is a recipe for disappointment in
Starring and written and directed by Iair Said, Most People Die on Sundays is about grief, but it's also funny, outrageous, surprising, and utterly unique, with a deadpan tone that recalls Jim Jarmusch movies. We follow the protagonist David as he returns home to Argentina for his uncle's funeral. Said has a sui generis quality of classic screen comics like Buster Keaton and Jacques Tati, and the rest of the cast plays off him perfectly. A sensation when it premiered in the Acid Section at Cannes, Most People Die on Sundays is a comic gem that we're thrilled to open this Friday at the Royal and Town Center. (Check out Said's interview on the
Next week we're opening the latest film from veteran Danish director Bille August, best known for Pelle the Conqueror, The Best Intentions, The House of the Spirits and dozens more."He spoke to Variety about The Kiss, his enduring interest in the complexity of human beings, book-to-screen adaptations, and his belief in the big screen experience."Loosely based on Stefan Zweig’s novel Beware of Pity and transposed from an Austrian to a Danish setting, The Kiss is a romantic drama set in 1913. The helmer has reunited with A Fortunate Man’s lead Espen Smed, cast as cavalry officer trainee Anton. Introduced to Baron von Løvenskjold’s daughter Edith, a
Based on Françoise Sagan's controversial 1954 novel, published when she was only 18 years old, the new adaptation of Bonjour Tristesse follows teenage Cécile (Lily McInerny). Her relaxing summer with her father (Claes Bang) in the south of France is upended by the arrival of the enigmatic Anne (Chloë Sevigny), her late mother's friend.First-time filmmaker Durga Chew-Bose is a writer, editor, and filmmaker living in Montreal. Prior to making Bonjour Tristesse, her film writing and interviews have focused on a range of international directors, from Abbas Kiarostami to Mia Hansen-Løve, Mike Leigh, Olivier Assayas, and many more. She is a devoted
Laemmle Theatres and the Anniversary Classics Series present a special screening of one of the best loved movies of the 20th century, Jerry Zucker’s smash hit supernatural fantasy, 'Ghost.' When the movie opened in the summer of 1990, it quickly captivated audiences and eventually became the highest grossing movie of the year, earning $505 million on a budget of just $23 million. When the movie hit home video in 1991, it also became the highest grossing film in the rental market for that year. The movie was nominated for five Oscars in 1990, including Best Picture, and it won awards for Bruce Joel Rubin’s original screenplay and Whoopi Goldberg’s
Since 2022 Laemmle Theatres has been the proud host of veteran film critic Stephen Farber's popular REEL TALK WITH STEPHEN FARBER screening series at the LAEMMLE ROYAL! See a variety of outstanding films from the U.S. and around the world, including many top awards contenders. Then meet the filmmakers for provocative and revealing discussions led by Stephen.Recent guests and titles have included Josh Margolin, writer-director of THELMA; Keith Kupferer, Katherine Mallen Kupferer, Tara Mallen, Kelly O’Sullivan & Alex Thompson, stars and filmmakers of GHOSTLIGHT; Eric Bana and Robert Connolly, star and writer-director of FORCE OF NATURE: THE DRY 2
Next week we'll begin a Claude Lelouch retrospective at the Royal with a week-long engagement of his 1966 double Oscar and Palme d'Or winner A Man and a Woman, newly restored by Rialto Pictures. April 26 through April 30 we'll also screen his films Les Miserables, And Now My Love, Rendezvous, Cat and Mouse, La Bonne Année, and Bolero (Les Uns et les Autres)."A tender, visually stirring film of rejuvenating love between a widow and a widower: Trintignant and Aimée share a candid romance while balancing the demands of career and parenthood. It’s a touching, realistic look at a burgeoning adult romance, with each participant encumbered by a past
Starring Oscar nominee Steve Coogan, The Penguin Lessons is a poignant dramedy inspired by a true story, set against the backdrop of Argentina’s political turmoil in 1976. Tom (Coogan), a disillusioned Englishman, arrives in Buenos Aires to teach at a prestigious boarding school, expecting an easy experience. But as the city spirals into crisis, and his students remain unteachable, Tom’s life takes an unexpected turn when he rescues an oil-slicked penguin from a nearby beach. The bird’s surprising loyalty and unique presence forces Tom to confront his own repressed past and awaken to the responsibilities of both personal and political change
Born in 1994, Louise Courvoisier grew up in the Jura region of France before studying cinema at the Cinéfabrique in Lyon. Her graduation short, Mano a Mano, won first prize at the Cinéfondation at Cannes in 2019. Vingt dieux (Holy Cow) is her first feature film, a sentimental cheese epic set in the village of her childhood. It follows 18-year-old Totone. After the tragic death of his father, he's thrust into the unexpected and very adult role of looking after his younger sister and their failing family farm. He assumes even more responsibility when he enters a cash competition for the best Comté cheese made in this western part of the French Alps
Alan Rudolph’s 'Choose Me' Special 4K Restoration Screening Tribute to Bob Laemmle with costars Keith Carradine, Lesley Ann Warren, and producer David Blocker in person April 3.Laemmle Theatres and the Anniversary Classics Series present a special 4K restoration screening of writer-director Alan Rudolph’s 1984 comedy-drama fable 'Choose Me' as a tribute to the late Bob Laemmle, owner of Laemmle Theatres, who died in January. The film screens Thursday, April 3 at the historic Royal Theatre in West Los Angeles at 7:00 P.M. Costars Keith Carradine and Lesley Ann Warren will appear in person for a Q&A, joined by producer David Blocker. Bob Laemmle was
From Bilge Eberi's recent New York Magazine piece about the new restoration of Jean-Luc Godard's A Woman is A Woman:“I don’t know whether it’s a comedy or a tragedy,” Jean-Luc Godard said about his film A Woman Is a Woman in 1961, not long before it opened. “At any rate, it’s a masterpiece.” The director, who at the time had released just one feature, was being characteristically cheeky. Later in that same interview, he admitted that the movie was an uneasy mix of influences. Shot in CinemaScope and color, it was meant to be a spectacle, “a set designer’s film,” that he had deliberately improvised and rushed. Though A Woman Is a Woman (now on the
The 2025 Oscars are in the history books. It was a good night, with a funny, skilled host in Conan O'Brien and a fairly equitable distribution of statuettes for some terrific movies. It was also a good night for theatrical exhibition, better known as good, old-fashioned moviegoing. As he did during his speech accepting the Palme d'Or last year in Cannes, Anora filmmaker Sean Baker gave a passionate, trenchant speech in favor of seeing movies as filmmakers have always intended them to be seen, in theaters. After accepting the Oscar for Best Director from filmmaker (and movie theater owner) Quentin Tarantino, Baker said the following to almost 20
If you still haven't seen some of the films honored at the Academy Awards on Sunday, you can still see all of the following this week: Anora (winner for Best Picture, Director, Original Screenplay, Editing, and Actress), The Brutalist (Best Actor, Score, and Cinematography), Flow (Best Animated Feature), I'm Still Here (Best International Film), and No Other Land (Best Feature Documentary). All are fantastic and, as one social media user posted after listening to Sean Baker's speech extolling the virtues of seeing movies in movie theaters, "movies just hit different at the cinema."And if you've already seen these films, check out The Fishing Place