Son of Joseph
A joyous treatise on religion, family, art, and love.
The Son of Joseph
The American-born expatriate filmmaker Eugène Green exists in his own special artistic orbit. His latest movie, The Son of Joseph, is perhaps his most buoyant. A nativity story reboot that gently skewers French cultural pretensions, it features newcomer Victor Ezenfis as a discontented Parisian teenager in search of a father with Mathieu Amalric and Fabrizio Rongione as his, respectively, callous and gentle alternative paternal options, and Natacha Régnier as his single mother.
Eugène Green drops biblical motifs – Abraham and Isaac, Mary and Joseph – into this genuinely contemporary setting as if it were the most natural thing in the world, augmenting them with nods to crime films, Italian Baroque music, a Doisneau photograph, three 17th century paintings and an artificial way of speaking that is anything but current. The characters are positioned within the visual compositions and look directly into the camera, their diction flawless. Whatever needs saying – and that’s a lot – they recite impassively, in declamatory fashion. Along the way, there are jabs at the literature milieu and trendy yuppies. A film where divine seriousness rubs against bizarre comedy, where theology meets caricature, an intriguing film, anachronistic and innovative in equal measure.
Eugène Green drops biblical motifs – Abraham and Isaac, Mary and Joseph – into this genuinely contemporary setting as if it were the most natural thing in the world, augmenting them with nods to crime films, Italian Baroque music, a Doisneau photograph, three 17th century paintings and an artificial way of speaking that is anything but current. The characters are positioned within the visual compositions and look directly into the camera, their diction flawless. Whatever needs saying – and that’s a lot – they recite impassively, in declamatory fashion. Along the way, there are jabs at the literature milieu and trendy yuppies. A film where divine seriousness rubs against bizarre comedy, where theology meets caricature, an intriguing film, anachronistic and innovative in equal measure.
Genre
Drama,
French Cinema,
Comedy,
Avant Garde,
Religion,
Spirituality
Runtime
115
Language
French
Director
Eugène Green
Cast
Victor Ezenfis,
Natacha Régnier,
Fabrizio Rongione,
Mathieu Amalric,
Maria de Medeiros
FEATURED REVIEW
Richard Brody, New Yorker
This arch, bold, and tender transposition of elements of the Nativity to the cramped secular life of a high-school student in current-day Paris is as much of an emotional wonder as a conceptual one. Vincent (Victor Ezenfis), an only child, is something of a loner; he’s being raised by his mother ...
Played at
Playhouse 7 3.17.17 - 3.23.17
Royal 3.17.17 - 3.23.17
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