La Bohème

La Bohème
Giacomo Puccini
from the Gran Teatre del Liceu
Opera in Four Acts.
Running time: 170 minutes including intermissions

A warm coat, a glowing fire, a true friend, a lover’s kiss – La Boheme is the most romantic opera ever written. Puccini’s beloved melodies perfectly convey the heartbreak and passion of young, poor, Parisian artists falling in love. Let La Boheme break your heart for the hundredth time, or the very first time, in this intimate and moving production from the Gran Teatre del Liceu, Barcelona. Starring Fiorenza Cedolins and Ramon Vargas.

Conductor ~ Víctor Pablo Pérez
Stage direction ~ Giancarlo del Monaco
Sets ~ Michael Scott
Costumes ~ Michael Scott
Lighting ~ Ulrich Niepel
Production ~ Teatro Real
Libretto by Giuseppe Giacosa and Luigi Illica, based on Scènes de la vie de bohème by Henry
Murger (1845-1848).
Music by Giacomo Puccini.
First performed on 1 February 1896 at the Teatro Regio in Turin.
First performed at the Gran Teatre del Liceu on 10 April 1898.

CAST
Mimi ~ Fiorenza Cedolins
Rodolfo ~ Ramon Vargas
Marcello ~ Christopher Maltman
Schaunard ~ Gabriel Bermudez
Musetta ~ Ainhoa Arteta
Colline ~ Carlo Colombara
Benoit/Alcindoro ~ Valeriano Lanchas

Program Note
From the mid-19th century onwards — against the background of industrialization, the supremacy of bourgeois values, and an intellectual climate dominated by secular materialistic and scientific positivism — art became realistic, seeking to show things as they really were —almost photographically — rather than making them more amiable or more beautiful. An opera such as La Bohème, which talks of the fragile nature of happiness in a world of poverty, cold and disease, is an obvious example of this trend.

In La Bohème, however, the aesthetic of Verism — the Italian equivalent of the French Naturalism of Émile Zola — becomes more sentimental and the brutality of social reality is depicted less crudely than elsewhere. Four young artists live out their everyday lives amid dreams and disappointments, waiting for the event that is to win them renown, but poverty and misfortune deprive the leading characters — Mimì and Rodolfo — of the joy of mutual love. The text and music relate all this with a pleasant melodramatic tenderness with which it is easy to identify.