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This Friday we are proud to open TATAMI, the acclaimed collaboration between Iranian and Israeli filmmakers. Some plaudits from top American film critics:"A superb example of pop cultural translation that freshens up the clichés of the sports corruption thriller and gives the actors and filmmakers a chance to flex their considerable skills." ~ Matt Zoller Seitz, RogerEbert.com"The mounting tensions of these moving parts — and steely performances by Mandi and Amir — make for an engrossing thriller fueled by female rage." ~ Beatrice Loayza, New York Times"Despite its urgent political engagement, TATAMI never forgets to be a gripping watch." ~

In August 2017, in the lead-up to national elections, Jacinda Ardern unexpectedly became New Zealand’s opposition party leader. She had just turned 37. Two frenetic months later, she was Prime Minister. Just before the final vote was in, she discovered she was pregnant. She would become only the second head of state in history to give birth while in office.Ardern quickly became one of the most recognizable leaders in the world. She drew global attention from people craving a sensitive and compassionate approach to the critical issues of our time. In private, she struggled with being a mother and proving herself to a public skeptical of women’s

Lions Gate Films and Laemmle Theatres are pleased to present the new comedy-drama from the writer and producer of I, Tonya, Everything's Going to Be Great.In honor of Father's Day, be the first to see Everything's Going to Be Great starring Bryan Cranston and Allison Janney on June 15 at the Monica Film Center and Town Center. The 3:20 P.M. screening in Santa Monica and the 3:00 P.M. screening in Encino are "Buy One, Get One Free" screenings. Offer good online and in person at the box offices.ABOUT THE FILM: There’s no business like show business — for Buddy and Macy Smart (Emmy-winner Bryan Cranston and Oscar-winner Allison Janney) that means an

THE SEVEN YEAR ITCH 70th Anniversary – Marilyn Monroe classic comedy screens at Laemmle’s historic Royal Theatre on June 25.Laemmle Theatres and the Anniversary Classics Series present the 70th anniversary of THE SEVEN YEAR ITCH (1955), which features one of the signature pop culture images of the 20th century and of its star, Marilyn Monroe (standing astride a subway grate while her skirt billows up to her shoulders). Billy Wilder produced, directed, and, with George Axelrod, cowrote the film version of Axelrod’s smash Broadway comedy about marital infidelity. It provided a prime vehicle for Monroe. The film screens one night only, Wednesday

A huge hit last weekend in New York, we're excited to open the comedy Bad Shabbos this Friday at the Royal and Town Center with expansion runs planned around L.A. County in the subsequent weeks. The film follows David and his fiancée, Meg, who are about to have their parents meet for the first time over a Shabbat dinner. Things get far more complicated because of an accidental death (or murder?). With Meg's Catholic parents due any moment, the family dinner soon spirals into a hilarious disaster.The following Bad Shabbos screenings will feature in-person introductions or Q&A's: Thursday, June 5 at the Royal w/director Daniel Robbins, producer Adam

Thirty years after her mother’s death, photographer Rachel Elizabeth Seed discovers her mother’s work — more than 50 hours of interviews with the greatest photographers of the 20th century, including Henri Cartier-Bresson, Lisette Model, Gordon Parks, Cecil Beaton, William Albert Allard, Brian Lanker, Cornell Capa, Bruce Davidson and Eliot Porter. When Rachel threads in the audio reels and presses play, she hears her mother’s voice for the first time since she was a baby. Sheila Turner-Seed, a daring, world-traveling journalist ahead of her time, died suddenly of a brain aneurysm when Rachel was just 18 months old. Moved to uncover more of what

Join us for The Last Twins Q&A’s at Laemmle Royal on Thursday, June 19th at 7:30 P.M. with filmmakers Perri Pelt & Matthew O’Neill, and Judith Richter, who is a participant in the film; Jonathan Jacoby will moderate; and at Laemmle Town Center on June 20th at 5:20 P.M. with the filmmakers and Judith Richter; and June 21st at 7:30 P.M. with Judith Richter and Dr. Nancy Segal moderating the discussion.

Laemmle Theatres' weekly series of fresh international films, Worldwide Wednesdays! Most are newer obscure films that we want to bring to a broader L.A. audience, screening in multiple venues all over L.A. County so cinephiles will not have to schlep to a single location. The films, however, come from many thousands of miles away! Screenings are Wednesday evenings with encore showings on Saturday and Sunday mornings.PERFECT ENDINGS June 4, 7 & 8. After a decade-long relationship ends, filmmaker João finds himself at a crossroads in both his personal and professional lives. While trying to break into the film industry, he ends up directing amateur

Laemmle Theatres and the Anniversary Classics Series present a 25th anniversary screening of 'Croupier,' the sleeper hit that helped to save the specialized movie business during a dry period at the beginning of the 21st century. Mike Hodges, the director of the British crime thriller 'Get Carter' with Michael Caine, had his most acclaimed film since then when he directed 'Croupier.'Clive Owen, who had mainly appeared in British television dramas before this, rose to full-fledged movie stardom as a result of this movie. He plays an aspiring writer who takes a job at a casino where he juggles a few romantic relationships and also has to contend

The Los Angeles Center of Photography (LACP) @ Laemmle NoHoThe World’s Greatest: Photography On and Off StagesArtists: Candace Biggerstaff, Ryder Collins, Thouly Dosios, David Hanes-Gonzalez, Kevin Salk Curator: Dr. Rotem Rozental, Executive Director and Chief Curator, LACPOpening reception: May 29, 6:00 to 8:00 P.M.; walk-through with Candace Biggerstaff, Thouly Dosios, David Hanes-Gonzalez and Dr. Rotem Rozental at 6:30pm. Free and open to the public, follow this link to RSVP.The World’s Greatest: Photography On and Off Stages marks the second collaboration between LACP and the Laemmle Theatres, organizing exhibitions and public programs around

June 12, 7:30 P.M. at the Laemmle NoHo:This screening of A PHOTOGRAPHIC MEMORY is co-presented by Video Consortium with a Q&A to follow featuring filmmaker Rachel Elizabeth Seed, co-writer/editor Christopher Stoudt, and special guest, moderated by Video Consortium organizer Lauren Mahoney.*June 14, 10:00 A.M. at the Laemmle Monica Film Center: This screening of A PHOTOGRAPHIC MEMORY is co-presented by From the Heart Productions and Authentic Global Film Awards, with a Q&A to follow moderated by Variety film critic Carlos Aguilar, featuring director Rachel Elizabeth Seed in conversation with producer Ana Lydia Monaco and additional special guest

Winner of the Camera d’Or at the 1979 Cannes Film Festival, the sui generis Northern Lights marks one of the most moving and committed works of political cinema from the late 1970s. Dramatizing the formation of the populist Nonpartisan League in North Dakota in the mid-1910s, Northern Lights captures the plight of immigrant Dakotan farmers as they toil and struggle against the combined forces of industry and finance. Amid this paroxysm of class tension, two young lovers find themselves swept up in the tide. Shot on location (on grain-rich black-and-white 16mm) in the dead of winter and featuring an astonishing cast of non-professional actors, this

Named after the famous New York Daily News headline “Ford to City: Drop Dead,” Drop Dead City is the first documentary to focus on the New York City fiscal crisis of 1975, an overlooked episode in urban American history that saw that city of eight million people come face to face with bankruptcy.The film is an immersive ticking-clock drama built entirely from archival 16mm footage interspersed with present eyewitness interviews, and propelled by a great soundtrack drawn from 1970s radio as it follows a year in the life and near death of this iconic city. Laemmle Theatres opens the film May 22 at the NoHo and May 23 at the Monica Film Center and

There are movies. There is cinema. And then there is auteur cinema. All are best experienced theatrically, but the last category, in particular, necessitates the big screen, the darkness, the audience of strangers. Next week, we are thrilled to once again unveil Ran, the 27th film by legendary Japanese director Akira Kurosawa (Rashomon, Seven Samurai, Hidden Fortress).In its epic scale, stylistic grandeur and tragic contemplation of human destiny, Ran (literally, “chaos” or “turmoil”) brings together the great themes and gorgeous images of the director’s life work. A brilliantly conceived meditation on Shakespeare’s King Lear crossed with Japan’s

If you are in need of some escapism that piques rather than insults your intelligence, we strongly recommend the new French rom-com Jane Austen Wrecked My Life. We open it May 23 at the Royal and May 30 at all but one of our other theaters. (Its writer-director, Laura Piani, is interviewed on the latest episode of Inside the Arthouse.)Variety's Chief Film Critic Peter Debruge perfectly captures the film's charms in his review, whose subhead reads "Laura Piani’s splendid debut balances reality with the effervescent charm of vintage swooners."Debruge's review is worth quoting at length:"A diet of romantic literature is a recipe for disappointment in

They “alchemized pain and misfortune into profound art.” ~ Jessica Baxter, Hammer to Nail"She just loved sex."It’s not the first laugh of surprise in I Know Catherine, the Log Lady, and it isn’t the last. The tone of the film — lively, fast-paced, underscored with original jazz and blues, and always embracing the absurdity of life — might seem a contrast to it’s subject.Beginning its weeklong run in Glendale this Friday, May 9, I Know Catherine tells the story of what it took for Catherine Coulson to film her final scenes as the Log Lady for David Lynch and Twin Peaks, the Return. Just after The Return was announced, Coulson, in her 22nd year

Starring and written and directed by Iair Said, Most People Die on Sundays is about grief, but it's also funny, outrageous, surprising, and utterly unique, with a deadpan tone that recalls Jim Jarmusch movies. We follow the protagonist David as he returns home to Argentina for his uncle's funeral. Said has a sui generis quality of classic screen comics like Buster Keaton and Jacques Tati, and the rest of the cast plays off him perfectly. A sensation when it premiered in the Acid Section at Cannes, Most People Die on Sundays is a comic gem that we're thrilled to open this Friday at the Royal and Town Center. (Check out Said's interview on the

Next week we're opening the latest film from veteran Danish director Bille August, best known for Pelle the Conqueror, The Best Intentions, The House of the Spirits and dozens more."He spoke to Variety about The Kiss, his enduring interest in the complexity of human beings, book-to-screen adaptations, and his belief in the big screen experience."Loosely based on Stefan Zweig’s novel Beware of Pity and transposed from an Austrian to a Danish setting, The Kiss is a romantic drama set in 1913. The helmer has reunited with A Fortunate Man’s lead Espen Smed, cast as cavalry officer trainee Anton. Introduced to Baron von Løvenskjold’s daughter Edith, a

Filmmaker Joel Petrykus on his acclaimed, sui generis fifth feature film, Vulcanizadora, opening May 9 at the Laemmle Monica Film Center and NoHo: "One of my biggest concerns about fatherhood is that I’d soften up and start telling stories of hope and inspiration. Five years after the birth of my one and only son, and I'm mostly consumed with fears of inadequacy, abandonment, and mortality; going to prison by accident, falling off a cliff by accident, jumping off a cliff by accident. Vulcanizadora is my most heartfelt and personal, but not in a good way. It’s my most sincere and emotional, but also my bleakest and most haunting."“There is no film

Based on Françoise Sagan's controversial 1954 novel, published when she was only 18 years old, the new adaptation of Bonjour Tristesse follows teenage Cécile (Lily McInerny). Her relaxing summer with her father (Claes Bang) in the south of France is upended by the arrival of the enigmatic Anne (Chloë Sevigny), her late mother's friend.First-time filmmaker Durga Chew-Bose is a writer, editor, and filmmaker living in Montreal. Prior to making Bonjour Tristesse, her film writing and interviews have focused on a range of international directors, from Abbas Kiarostami to Mia Hansen-Løve, Mike Leigh, Olivier Assayas, and many more. She is a devoted

Caught by the Tides filmmaker Jia Zhangke will introduce the May 2 screening at the Laemmle Glendale.

Words of War Q&A's at the Monica Film Center: Sean Penn and Jason Isaacs will participate in Q&A's following the 7:00 P.M. screening on Friday, May 2; the 4:00 P.M. & 7:00 P.M. screenings on Saturday, May 3; and the 4:00 P.M. screening on Sunday, May 4. U.S. Congressional Rep. Eric Swalwell will join them for the 4:00 P.M. screening on Sunday.

Laemmle Theatres and the Anniversary Classics Series present a special screening of one of the best loved movies of the 20th century, Jerry Zucker’s smash hit supernatural fantasy, 'Ghost.' When the movie opened in the summer of 1990, it quickly captivated audiences and eventually became the highest grossing movie of the year, earning $505 million on a budget of just $23 million. When the movie hit home video in 1991, it also became the highest grossing film in the rental market for that year. The movie was nominated for five Oscars in 1990, including Best Picture, and it won awards for Bruce Joel Rubin’s original screenplay and Whoopi Goldberg’s

The raison d'être of Greg Laemmle and Raphael Sbarge's video podcast Inside the Arthouse is to shine a light on the finest American independent and international films, the people who make them, and the cinemas that screen them to audiences who appreciate the value of seeing movies as they were meant to be seen, on big screens in dark auditoriums with crowds of fellow movie-mad strangers. With that in mind, this week's episode is called "The Future of Arthouse Cinema in New York & Reasons To Be Happy with N.Y. Indie Guy Ira Deutchman." Deutchman is the leader of the campaign to open a new art house theater on the Upper Westside of Manhattan, the

Since 2022 Laemmle Theatres has been the proud host of veteran film critic Stephen Farber's popular REEL TALK WITH STEPHEN FARBER screening series at the LAEMMLE ROYAL! See a variety of outstanding films from the U.S. and around the world, including many top awards contenders. Then meet the filmmakers for provocative and revealing discussions led by Stephen.Recent guests and titles have included Josh Margolin, writer-director of THELMA; Keith Kupferer, Katherine Mallen Kupferer, Tara Mallen, Kelly O’Sullivan & Alex Thompson, stars and filmmakers of GHOSTLIGHT; Eric Bana and Robert Connolly, star and writer-director of FORCE OF NATURE: THE DRY 2

This Friday in Glendale we are pleased to open The Teacher, a drama starring Saleh Bakri and Imogen Poots about colleagues at a West Bank school who try to help a student cope with a tragedy.*Palestinian-British filmmaker Farah Nabulsi was interviewed on the latest episode of Inside the Arthouse. After receiving an Oscar nomination for her short film The Present, Nabulsi spoke about taking audiences on an intense, emotional journey into the Israeli-occupied West Bank through a story based upon the actual experiences of her relatives. The story lifts the curtain on the hardships and difficult choices they have to make.*"Extraordinary...riveting." ~

Next week we'll begin a Claude Lelouch retrospective at the Royal with a week-long engagement of his 1966 double Oscar and Palme d'Or winner A Man and a Woman, newly restored by Rialto Pictures. April 26 through April 30 we'll also screen his films Les Miserables, And Now My Love, Rendezvous, Cat and Mouse, La Bonne Année, and Bolero (Les Uns et les Autres)."A tender, visually stirring film of rejuvenating love between a widow and a widower: Trintignant and Aimée share a candid romance while balancing the demands of career and parenthood. It’s a touching, realistic look at a burgeoning adult romance, with each participant encumbered by a past

Beautifully restored by the Academy Film Archive and UCLA Film & Television Archive in conjunction with the Sundance Institute, Lisa Cholodenko's 1998 lesbian romantic drama High Art is now considered a queer classic, and it is ten times more potent on the big screen. The protagonist is Syd (Radha Mitchell), whose life changes after a chance meeting with her upstairs neighbor, Lucy Berliner (Ally Sheedy). Lucy, a once-celebrated photographer, lives an enthralling life with her drug-addicted German girlfriend, (Patricia Clarkson), that draws Syd in. Before she can catch her breath, Syd discovers dark truths of life on the edge, is forced to

Our long-running Culture Vulture series continues every Saturday and Sunday morning and Monday evening at our Claremont, Glendale, Newhall, Encino, and Santa Monica theaters.April 5-7: Far Out: Life on and After the Commune ~ In 1968, a group of radical journalists leave the city and politics to live communally as organic farmers. The film examines their lives and return to the political world and how the commune became a community.April 12-14: In Search of Beethoven ~ The makers of In Search of Mozart return with a new feature-length bio-doc about Beethoven. Director Phil Grabsky brings together the world’s leading performers and experts on

Tomorrow we'll be opening Janis Ian: Breaking Silence, the new documentary about the singer-songwriter. Filmmaker Varda Bar-Kar will participate in Q&A's after the 7:00 o'clock shows on Thursday, April 3 at the Laemmle NoHo and April 4 and 5 at the Monica Film Center, as well as after the 1:00 o'clock show at the Laemmle Glendale on April 5. Ms. Ian will join her for the NoHo and Santa Monica screenings. The filmmaker is also featured on the latest episode of Raphael Sbarge and Greg Laemmle's video podcast Inside the Arthouse.Director's Statement: "The pandemic began when I finished my music documentary Fandango at the Wall (HBO/MAX), about a