Köln 75 is a vibrant, freewheeling portrait of artistic rebellion and creative awakening. Directed by Ido Fluck, the film takes its cue from a real moment in music history: Keith Jarrett’s legendary 1975 concert in Cologne, one of the most celebrated improvisations in modern jazz. But rather than simply re-staging that night, Köln 75 channels the spirit of improvisation itself, capturing the electricity, uncertainty, and sheer creative risk that defined both Jarrett’s performance and the turbulent decade that surrounded it. Tune into Inside the Arthouse to hear Fluck discuss his latest project with co-hosts Greg Laemmle and Raphael Sbarge ahead of its opening at the Laemmle Royal, Glendale, and Town Center on October 24th.
At the film’s center is Vera, played with irresistible energy by Mala Emde (And Tomorrow the Entire World). A twenty-something radio intern in a West German city alive with possibility, Vera sees in Jarrett’s upcoming concert not just a performance, but the beginnings of a cultural revolution. As she darts through offices, streets, and smoky clubs, Vera becomes both participant and chronicler, a conduit for the collision of politics, art, and desire that defined a generation. Her encounters with Jarrett—portrayed by a terrific John Magaro not as a distant icon but as a restless, searching artist—become the emotional and philosophical core of the story. Through him, the film explores how creative breakthroughs often emerge from exhaustion, frustration, and the willingness to abandon control.Fluck's direction mirrors the very language of jazz: fluid, unpredictable, and alive with syncopation. The editing moves like a riff: sharp one moment and lingering the next, shifting tone without warning yet always staying true to its emotional tempo. Like Jarrett’s own playing, the film finds beauty in imperfection, turning chaos into harmony through sheer instinct.
Ultimately, Köln 75 emerges as a deeply affectionate ode to the messy process of finding one’s voice. In its most luminous passages, as Jarrett’s chords ripple through the screen and Vera’s world expands in response, the film reminds us that the purest acts of creation—like the purest notes of jazz—exist only in the fleeting, miraculous moment they are born.“A vivid vehicle for a dynamic, often very funny Emde who, at 28, is convincing as a wide-eyed, sharp-mouthed teenage force of nature.” – Jonathan Romney, Screen International“Much like the musical genre that it depicts, Köln 75 is an unpredictable and non-conformist drama about the budding jazz scene in 1970s Berlin.” – Jack Walters, Loud & Clear Review
At the film’s center is Vera, played with irresistible energy by Mala Emde (And Tomorrow the Entire World). A twenty-something radio intern in a West German city alive with possibility, Vera sees in Jarrett’s upcoming concert not just a performance, but the beginnings of a cultural revolution. As she darts through offices, streets, and smoky clubs, Vera becomes both participant and chronicler, a conduit for the collision of politics, art, and desire that defined a generation. Her encounters with Jarrett—portrayed by a terrific John Magaro not as a distant icon but as a restless, searching artist—become the emotional and philosophical core of the story. Through him, the film explores how creative breakthroughs often emerge from exhaustion, frustration, and the willingness to abandon control.Fluck's direction mirrors the very language of jazz: fluid, unpredictable, and alive with syncopation. The editing moves like a riff: sharp one moment and lingering the next, shifting tone without warning yet always staying true to its emotional tempo. Like Jarrett’s own playing, the film finds beauty in imperfection, turning chaos into harmony through sheer instinct.Ultimately, Köln 75 emerges as a deeply affectionate ode to the messy process of finding one’s voice. In its most luminous passages, as Jarrett’s chords ripple through the screen and Vera’s world expands in response, the film reminds us that the purest acts of creation—like the purest notes of jazz—exist only in the fleeting, miraculous moment they are born.“A vivid vehicle for a dynamic, often very funny Emde who, at 28, is convincing as a wide-eyed, sharp-mouthed teenage force of nature.” – Jonathan Romney, Screen International“Much like the musical genre that it depicts, Köln 75 is an unpredictable and non-conformist drama about the budding jazz scene in 1970s Berlin.” – Jack Walters, Loud & Clear Review