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The Laemmle Sneak Preview Club is an exclusive artfilm-advanced-screening club ONLY for the Laemmle community. It's our thank you to our most loyal customers ... FREE MOVIES!

About twice each month or so you will receive an email detailing the new movie we are screening along with a RSVP link. Simply click that link, RSVP, show up, & ENJOY the FREE MOVIE!

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Celebrate Art House Theater Day Saturday, September 24th with Discounted Tickets to Select Art House Films!

Saturday, September 24th is Art House Theater Day! It's a day to recognize the contributions of film and filmmakers, staff and projectionists, and fellow brick and mortar theaters dedicated to providing access to the best cinematic experience. Most importantly, it's a day to thank our patrons for their year-round support. As a thank you, we're offering a ticket discount to select art house films! If you have a friend that's never been to an art house, this is the perfect day to bring them along for a unique movie-going adventure. Enter the promo code ARTHOUSEDAY when you buy tickets to Saturday screenings of the films listed below! Disc [...]
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Fantastic Female-Centric Films from All Over the World this Fall at Laemmle Theatres: FATIMA, CAMERAPERSON, AS I OPEN MY EYES, SAND STORM, THE EAGLE HUNTRESS.

Two months from today we Americans might, finally, elect our very first female President, so it's appropriate in the weeks leading up to that day we will be screening a series of excellent movies by and about girls and women filmed and set in places as diverse as the Negev Desert in Israel, Lyon, France, Mongolia, Tunisia and the USA. First up is FATIMA, which we open September 16 at the Royal. The title character lives in Lyon with two daughters: fifteen-year-old Souad, a teenager in revolt, and 18-year-old Nesrine, who is starting medical school. Fatima speaks French poorly and is constantly frustrated by her daily interactions with her [...]
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Modern classics returning to big screens: Merchant Ivory's HOWARDS END, Antonioni's BLOW-UP and LA NOTTE and a Chabrol retrospective.

Some of the production company Merchant Ivory's greatest triumphs are adaptations of E.M. Forster novels. There are three of them: A Room with a View (1985), Maurice (1987) and Howards End (1992), which is one of their undisputed masterpieces. Based on Forster’s 1910 novel, Howards End is a saga of class relations and changing times in Edwardian England. Margaret Schlegel (Emma Thompson, who won the Best Actress Oscar for this performance) and her sister Helen (Helena Bonham Carter) become involved with two couples: a wealthy, conservative industrialist (Anthony Hopkins) and his wife (Vanessa Redgrave), and a working-class man (Samuel West) a [...]
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Stephen Frears' and Meryl Streep's FLORENCE FOSTER JENKINS screenings with behind-the-scenes footage and pre-recorded cast Q&A Thursday night and Sunday afternoon.

Set in 1940s New York, Stephen Frears' Florence Foster Jenkins is the true story of the legendary New York heiress and socialite (Meryl Streep) who obsessively pursued her dream of becoming a great singer. The voice she heard in her head was beautiful, but to everyone else it was hilariously awful. Her "husband" and manager, St. Clair Bayfield (Hugh Grant), an aristocratic English actor, was determined to protect his beloved Florence from the truth. But when Florence decided to give a public concert at Carnegie Hall, St. Clair knew he faced his greatest challenge. All of our 7:10 PM screenings on Thursday, August 11 and 1:30 PM screenin [...]
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Argentine filmmaker Daniel Berman on the making of his lovely autobiographical dramedy THE TENTH MAN, opening August 5 at the Royal and Town Center

Ariel has left his past behind. After growing up in the close-knit Jewish community of Buenos Aires he has built a new and to all appearances successful metropolitan life as an economist in New York. He has come back to his native city to meet his distant father Usher, but for days they miss one another as Usher continues to issue instructions to Ariel for a plethora of errands. Usher’s life’s mission, often to the detriment of his family, is the running of a Jewish aid foundation in El Once, the old Jewish neighborhood of Buenos Aires. Ariel is drawn back into the community and the very role his father plays in it. Along the way, his New Yor [...]
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