Invisible Front

Complete with a charismatic hero and touching love story…The Invisible Front vividly succeeds in bringing this little-known historical saga to light.

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The Invisible Front

Winner of the Audience Award at the international film festival “Kino Pavasaris” in Vilnius 2014, THE INVISIBLE FRONT is the story of one of the 20th centuries most significant anti-Soviet resistance movements, told through the words and experiences of Juozas Luksa and his fellow Forest Brothers. Their war was completely unknown to the public in the West. The Soviet Security forces, fighting against them, dubbed the conflict “The Invisible Front.”

In 1944, Soviet forces occupied Lithuania for the second time. At the first occupation. 1940­‐41, the government offered no resistance and the Lithuanians had quickly learned the brutal lessons of Communism. This time, they decided to resist. Tens of thousands of young Lithuanian men and women from the villages, schools and universities took to the forests and formed a guerrilla movement, the so­called Forest Brothers.

One of their most charismatic leaders was Juozas Luksa, an architecture student. Along with his three brothers he joined the underground resistance, challenging the Soviets for years to come. In 1947 Luksa broke out from the Soviet Union to seek support and to tell the tale of Lithuanians desperate resistance to the West.

When in Paris he met the love of his life, Nijole Brazenaite, and married her. He wrote a touching memoir about the origins of the resistance, which was later published by his wife. Shortly after their wedding, Luksa returned to Lithuania, air dropped by the CIA, for intelligence gathering. Panicking, Moscow launched vast resources to hunt him down, once for all ending the threat from the resistance to Communist rule in Lithuania.
Not Rated
Genre
Documentary, History
Runtime
87
Language
English, Lithuanian
Director
Jonas Ohman, Vincas Sruoginis
FEATURED REVIEW
Danny King, Village Voice

The opening-credits sequence of Jonas Ohman and Vincas Sruoginis's documentary The Invisible Front fetishizes evidential materials: files, folders, photos, documents, passports, envelopes. This emphasis turns out to be more than window dressing: To quote the film's narrator, the historical drama ...

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