Hundred-Foot Journey

Almost embarrassingly enjoyable, despite the fact that - or maybe because - it's ridiculous in a shiny, Hollywood way.

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The Hundred-Foot Journey

In “The Hundred-Foot Journey,” Hassan Kadam (Manish Dayal) is a culinary ingénue with the gastronomic equivalent of perfect pitch. Displaced from their native India, the Kadam family, led by Papa (Om Puri), settles in the quaint village of Saint-Antonin-Noble-Val in the south of France. Filled with charm, it is both picturesque and elegant – the ideal place to settle down and open an Indian restaurant, the Maison Mumbai. That is, until the chilly chef proprietress of Le Saule Pleureur, a Michelin starred, classical French restaurant run by Madame Mallory (Helen Mirren), gets wind of it. Her icy protests against the new Indian restaurant a hundred feet from her own escalate to all out war between the two establishments – until Hassan’s passion for French haute cuisine and for Mme. Mallory’s enchanting sous chef, Marguerite (Charlotte Le Bon), combine with his mysteriously delicious talent to weave magic between their two cultures and imbue Saint-Antonin with the flavors of life that even Mme. Mallory cannot ignore. At first Mme. Mallory's culinary rival, she eventually recognizes Hassan's gift as a chef and takes him under her wing.

“The Hundred-Foot Journey” abounds with flavors that burst across the tongue. A stimulating triumph over exile, blossoming with passion and heart, with marjoram and madras, it is a portrayal of two worlds colliding and one boy’s drive to find the comfort of home, in every pot, wherever he may be.
PG
Genre
Comedy, Drama, Romance
Runtime
122
Language
English
Director
Lasse Hallström
Cast
Helen Mirren, Om Puri, Manish Dayal
FEATURED REVIEW
Justin Chang, Variety

Beef bourguignon or tandoori goat? Career success or family loyalty? You can actually have it all, according to “The Hundred-Foot Journey,” a culture-clash dramedy that presents itself as the most soothing brand of cinematic comfort food. As such, this genteel, overlong adaptation of Richard C ...

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